Pensum/læringskrav (KONS3060 - Høst 2013)
Alle studenter bes å anskaffe:
Boken: Henderson, J. 2000: The science and archaeology of materials, London and NewYork: Routledge.
og kompendium
Introduksjon
Wisseman, S. U. og Williams, W. S., 1994: Ancient technologies and archaeological materials, Gordon and Breach Publisher, kap. 1 Why Study Artifacts? An Interdisciplinary Approach, s. 3-13.
Henderson, J., 2000: The science and archaeology of materials, kap. 1: Introduction og kap. 2: Techniques of scientific analysis, London and NewYork: Routledge,s.1-23 .
Stein som redskap
Patterson, L. W., 1983: "Criteria for determining the attributes of man-made lithics", i Journal of Field Archaeology, Vol. 10, No. 3. (Autumn, 1983), s.297-307.
Gould, R. A., 1978: "The anthropology of human residues", American Anthropologist, New Series, Vol. 80, No. 4. (Dec. 1978), s. 815-835.
Whittaker, J. C., 1994: Flintknapping : making and understanding stone tools, Austin : University of Texas Press, kap. 2 Flintknapping: Basic Principles, s. 11-21.
Luedtke, B. E., 1992: An archaeologist's guide to chert and flint, Serie: Archaeological research tools 7, Los Angeles : Institute of Archaeology, University of California, kap.6 Mechanical Properties, s. 73-90.
Natursten i byggverk
Dimes, F.G., 1998: Conservation of building and decorative stone, Oxford, Woburn: Butterworth Heinemann, kap. 2: The nature of building and decorative stones, s. 19-36.
Anderson, T., 1993: "Hugga i sten", i B. Sundnér m.fl., Natursten i byggnader, teknik & historia, Stockholm: Institutionen för konservering, Riksantikvarieämbetet, Statens historiska museer, s.34-53.
Lawrence, A.W., 1983 (eller senere utgaver): Greek Architecture, kap 20. London & New Haven (Yale UP Pelican History of art), , s. 167-181.
Sear, F., 1998 (eller senere utgaver): Roman Architecture, kap. 4, London: Routledge, s.69-85.
Keramikk
Henderson, J., 2000: The science and archaeology of materials,kap.4: Ceramics, London and NewYork: Routledge, s.104-142.
Torraca, G., 1988: Porous building materials. Materials science for architectural conservation, Rome: ICCROM, kap. VIII Clay, adobe, brick, s. 97-99.
Videre lesning:
Henderson, J., 2000: The science and archaeology of materials,kap.4: Ceramics, London and NewYork: Routledge, s.143-207
Hulthén, B., 1991: On ceramic ware in Northern Scandinavia during the Neolithic, Bronze and Early Iron Age: a ceramic-ecological study, Archaeology and environment, University of Umeå, Department of Archaeology, bind 8.
Glass, glasur og emalje
Henderson, J., 2000: The science and archaeology of materials, kap. 3: Glass, London and NewYork: Routledge, s. 24- 108.
Heyworth, M. , 1992: "Evidence for early medieval glass production in North-West Europe", Medieval Europe, Technology and Innovation, vol. 3, York: Society for Medieval Archaeology, s. 169-174.
Ingemark, D., 1995: "Glasblåsning – ett tidigt hantverk i Skandinavien?", Fornvännen, 90, s. 241-248.
Kobber
Henderson, J., 2000: The science and archaeology of materials, kap. 5: Metals,London and NewYork: Routledge, s.208 t.o.m. s. 232:5.7.1. og 5.7.7-5.7.8.
Hodges, H., 1995: Artifacts. An introduction to early materials and technology, London: Duckworth, kap. 4: Copper and copper alloys, s. 64-79.
Prescott, C., 2006: "Copper production in Bronze Age Norway?", i H. Glørstad, B.Skar og D. Skre (red.), Historien i forhistorien. Festskrift til Einar Østmo på 60-års dagen, Oslo: Kulturhistorisk Museum, Skrifter 4, s.183-190.
Videre lesning:
Henderson, J., 2000: The science and archaeology of materials, kap. 5: Metals,London and NewYork: Routledge, 5.8 - 5.10.
Jern
Henderson, J., 2000: The science and archaeology of materials, kap. 5: Metals,London and NewYork: Routledge, s. 208-232 og 5.11.1
Thåli-Bergman, L., 1979: "Blacksmithing in Prehistoric Sweden", i H. Clarke (oversetter og red.), Iron and man in Prehistoric Sweden, Stockholm: Jernkontoret, s. 99-133.
Gull
Coatswold, E. og Pinder, M., 2002: The Art of the Anglo-Saxon goldsmith. Fine metalwork in Anglo-Saxon England: its practice and practitioners, Woodbridge: The Boydell Press, s. 29-101.
Oversiktsartikkel organisk materiale
Hurcombe, L.M., 2007: Archaeological artefacts as material culture, London: Routledge, sider 119-145.
Harde og myke dyreprodukter
Ambrosiani, K., 1981: “Viking Age combs, comb making and comb makers”. Stockholm Studies in Arcaheology 2, s.103, 109-118.
Forbes, R. J., 1966: Studies in ancient technology, Vol V, Leiden: E.J.Brill, Leather in Antiquity, s. 1-21.
Greep, S. J, 1987: "Use of bone, antler and ivory in the Roman and Medieval periods", i K. Starling og D. Watkinson (red.), Archaeological Bone, antler and ivory, Occasional Papers, Number 5, London: United Kingdom Institute for Conservation of Historic and Artistic Works, s. 3-5.
Haines, B.M., 1991: "The structure of collagen", i C. Calnan og B.M. Haines (red.), Leather, Its Composition and changes with time, B., Northampton: The Leather Conservation Centre, s. 5-9.
Mac Gregor, A., 1985: Bone, antlery, ivory and horn, London and Sydney: Croom Helm, kap. 5 Working methods and tools, s.55-72.
Thomson, R., 1998: "Leather working processes", i E. Cameron (red.), Leather and fur. Aspects of Early Medieval trade and technology, London: Archetype Publications for the Archaeological Leather group, s. 1-9.
Tekstil
Boersma, F., 2007: Unravelling textiles. London: Archetype, s. 1-9, 13-20.
Forbes, R.J., 1987: Studies in ancient technology, Vol. IV. Leiden: E.J.Brill, Washing, bleaching, fulling, felting, s. 82-95.
Patterson, R., 1957: “Spinning and weaving”, i A History of Technology II, eds- Singer, C. et.al., Oxford: Clarendon, s. 191-219.
Tre
Crumlin-Pedersen, O., 2002: "Preface" og "Documentation, analysis and dating", i O. Crumlin-Pedersen og O. Olsen (red.), The Skuldelev Ships I, Topography, Archaeology, History, Conservation and Display, Series: Ships and Boats of the North, Volume 4.1, Roskilde: Viking Ship Museum, s.7, s.49-62.
Goodman, W. L., 1964: The History of woodworking tools, London, G.Bell and sons LTD London, Introduction, s.8-11.
Haygreen, J.G, Bowyer, J.L., 1996: Forest products and wood science, 3rd edition, Ames, Iowa: Iowa State University Press, kap. 2: Macroscopic character of wood: s. 23-37.
Hoadley, R.B., 1998: "Chemical and physical properties of wood", i K.Dardes and A.Rothe (red), The Structural conservation of panel paintings, Proceedings of a symposium at the J.Paul Getty Museum, 24-28 April, 1995, Los Angeles: The Getty Conservation Institute, s. 2-20.
Hodges, H., 1995: Artifacts. An introduction to early materials and technology, London, Duckworth, kap. 8: Wood, s.112-122.
Taylor, M., 1981: Wood in archaeology, Aylesbury, I: Bucks: Shire Archaeology, kap. 6: Types of wooden objects from archaeological sites og kap. 7: Types of wood and their uses, s. 27-44, s. 45-55.
Walker, P., 1982: “The Making of panels. History of relevant woodworking tools and techniques” , i K.Dardes and A.Rothe (red.), The Structural conservation of panel paintings, Proceedings of a symposium at the J.Paul Getty Museum, 24-28 April, Los Angeles: The Getty Conservation Institute, s. 178-185.
Walker, P., 1982: “The tools available to the Mediaval woodworke”'. i S. McGail (red.), Woodworking techniques before A.D. 1500, BAR Archaeological Series, International Series 129, Greenwich: National Maritime Museum, s.349-356.
Pigmenter
Brill, T.B., 1980: Light. Its interaction with art and antiquities, New York and London: Plenum Press, kap. 11: Pigments and colored glass, s. 217-235.
Howard, H., 2003: Pigments of English Medieval wall painting, London: Archetype publications, kap. 2: Methodology, s. 15-26.
Lambert, J.B., 1997: Traces of the past. Unravelling the secrets of archaeology through chemistry, Reading, Massachusetts: Addison-Wesley, kap.4: Color, s. 71-103.
Orna, M.V. et.al., 1980: "Synthetic blue pigments: ninth to sixteenth centuries. I. Literature", i Studies of Conservation, Vol. 25, s. 53-63.
Viñas, S.M., 1998: "Original written sources for the history of medieval painting techniques and materials: a list of published texts", i Studies of Conservation, Vol. 43, s.114-124.
Bucklow, S., 1999: “Paradigms and pigment recipes: vermilion, synthetic yellows and the nature of egg”, i Zeitschrift für Kunstteknologie und Restaurierung, Vol. 13, s. 140-149.
Bucklow, S. , 2000: “Paradigm and pigment recipes: natural ultramarine, i Zeitschrift für Kunstteknologie und Restaurierung, Vol. 14, s. 5-14.