Ibsen’s works:
A Doll’s House
Ghosts
The Lady from the Sea
Peer Gynt
Secondary literature:
Erika Fischer-Lichte, “Chapter 4: Performance Analysis,” in The Routledge Introduction to Theatre and Performance Studies (London: Routledge, 2014), 49-70. https://doi-org.ezproxy.uio.no/10.4324/9780203068731
Julie Holledge, “The Ibsen-Labs Experiment: Five Rehearsal Rooms in Search of The Lady from the Sea,” in Ibsen Between Cultures, ed. Frode Helland and Julie Holledge (Oslo: Novus Forlag, 2016), 21-38.
Thomas Postlewait, “Introduction,” in The Cambridge Introduction to Theatre Historiography, (Cambridge University Press, 2009), 1-24.
Christian Janss, "When Nora Stayed: More Light on the German Ending." Ibsen Studies 17, no. 1 (2017): 3-27. https://doi-org.ezproxy.uio.no/10.1080/15021866.2017.1324359
Thomas Ostermeier, "Reading and Staging Ibsen." Ibsen Studies 10, no. 2 (2010): 68-74. https://doi-org.ezproxy.uio.no/10.1080/15021866.2010.537889
Clemens Räthel, "Redecorating A Doll's House in Contemporary German Theater: Multiple Authorship in Ibsen's Nora." Ibsen Studies 20, no. 1 (2020): 1-21. https://doi.org/10.1080/15021866.2020.1757302
Patrice Pavis, “Introduction,” in The Intercultural Performance Reader, (London: Routledge, 1996), 1-21.
McIvor and King, “Introduction: New Directions?” in Interculturalism and Performance Now: New Directions? (Palgrave MacMillan, 2019), 1-26. https://doi.org/10.1007/978-3-030-02704-9
Frode Helland, “Chapter 5: Peer Gynt in Africa” in Ibsen in Practice Relational Readings of Performance, Cultural Encounters and Power (Bloomsbury Methuen Drama, 2015), 175-200. https://ebookcentral-proquest-com.ezproxy.uio.no/lib/oslo/detail.action?docID=1983215
Shouhua Qi, "Reimagining Ibsen: Recent Adaptations of Ibsen Plays for the Chinese Stage" in Ibsen Studies. https://doi-org.ezproxy.uio.no/10.1080/15021866.2017.1408249
Frode Helland, “Chapter 4: Three Chinese Dolls” in Ibsen in Practice Relational Readings of Performance, Cultural Encounters and Power (Bloomsbury Methuen Drama, 2015), 119-174. https://ebookcentral-proquest-com.ezproxy.uio.no/lib/oslo/detail.action?docID=1983215
Liyang Xia, “A Myth that Glorifies: Rethinking Ibsen’s Early Reception in China,” in Ibsen Studies. https://doi-org.ezproxy.uio.no/10.1080/15021866.2018.1550868
Linda Hutcheon with Siobhan O’Flynn, “Chapter 1: Beginning to Theorize Adaptation,” in A Theory of Adaptation (London and New York: Routledge, 2006), 1-32. https://doi-org.ezproxy.uio.no/10.4324/9780203095010
Ellen Rees, “Gyntian Simulacra,” in Scandinavian Studies Vol. 79, No. 4, 427-448. https://www-jstor-org.ezproxy.uio.no/stable/40920772
Julie Holledge et al., “Introduction” and “Adaptation at a Distance” in A Global Doll’s House (Palgrave MacMillan, 2016).
Jens-Morten Hanssen, “Chapter 2: The first major success on the German stage: Pillars of Society,” in Ibsen on the German Stage 1876-1918: a quantitative study (Tübingen: Narr Francke Attempto, 2018), 15-40.
Gianina Druta, Ibsen at the Theatrical Crossroads of Europe (2.1 Foreign Tours). (Unpublished doctoral dissertation from 2020. Electronic version available with permission from author.)