Skuespill
Peer Gynt (1867)
Et dukkehjem (1879)
En folkefiende (1882)
Hedda Gabler (1890)
The Fantasy of Peer Gynt (1909)
NB! Alle Ibsens tekster kan lastes ned gratis fra www.ibsen.uio.no
The Fantasy of Peer Gynt kan leses her
Forestillinger/adaptasjoner/filmer i opptak (filmer merket med * vises før/under undervisningen)
*Peer Gynts Wanderjahre und Tod (Tyskland, 1919)
Ein Volksfeind (Tyskland, 1937). Gratis tilgjengelig på YouTube
Nora Helmer (Tyskland, 1974). Gratis tilgjengelig på YouTube
Jaws (USA, 1975). Tilgjengelig f.eks. på YouTube (betalingsløsning, 49,- NOK)
*Gatas Gynt (Norge, 2008)
Hemmeligheten bak “Peer Gynt” (Norge, 2017). Gratis tilgjengelig på NRK
Teoretiske artikler og annen sekundærlitteratur
Noe tilgjengelig elektronisk, noe i kompendium.
Kompendium kan kjøpes hos Akademika.
I kompendium
Bourdieu, Pierre. 1996. The Rules of Art. Genesis and Structure of the Literary Field. Stanford: Stanford University Press, 141–173.
Chen, Xiaomei. 2002. Occidentalism: A Theory of Counter-discourse in post-Mao China. Lanham: Rowman & Littlefield, 1–22.
Dyrendal, Asbjørn og Terje Emberland. 2019. Hva er konspirasjonsteorier. Oslo: Universitetsforlaget, 15–39.
Fischer-Lichte, Erika. 1996. “Interculturalism in Contemporary Theatre”. In Patrice Pavis (red.), The Intercultural Performance Reader. London: Routledge, 27–40.
Holm, Isak Winkel. 2009. “Katastrofen i kulturen: Introduktion til kulturvidenskabelig katastrofeforskning.” Kritik, no. 194, 3–7.
Hutcheon, Linda. 2013. “Beginning to Theorize Adaptation: What? Who? Why? How? Where? When?” Chap. 1 in A Theory of Adaptation. London: Routledge, 1–32.
Kaes, Anton. “The Presence of the Past: Rainer Werner Fassbinder’s The Marriage of Maria Braun.” Chap. 3 in From Hitler to Heimat: The Return of History as Film. Cambridge, MA: Harvard University Press, 75–103.
Lien, Marius. 2012. “Mysterier”. Morgenbladet 20–26 april, 38–40.
Ruthven, K.K. 2001. Faking Literature. Cambridge: Cambridge University Press, 1–4, 34–62.
Thomsen, Christian Braad. 1978. “Et dukkehjem. R.W. Fassbinder: Nora Helmer.” In Den levende Ibsen: analyser af udvalgte Ibsen-forestillinger 1973-78, edited by Ulla Strømberg and Jytte Wiingaard. København: Borgen, 78–86.
Törnqvist, Egil. 1999. “A Doll’s House (1879).” Chap. 3 in Ibsen, Strindberg and the Intimate Theatre: Studies in TV Presentation. Amsterdam: Amsterdam University Press, 28–41.
Weinstein, Valerie. 2019. “Reconceiving Antisemitism in Third Reich Film Comedy.” Introduction in Antisemitism in Film Comedy in Nazi Germany. Bloomington, IN: Indiana University Press, 1–36.
Blir gjort tilgjengelig eller tilgjengelig elektronisk
(det kan være at noen av disse artiklene kun er tilgjengelige mens du er koblet til UiOs nettverk)
Asprem, Egil. 2018. “Theosophy”. In Adam Possamai & Anthony Blasi (eds.), SAGE Encyclopedia of Sociology of Religion. London: Sage, 1–4. (https://www.academia.edu/37227840/Theosophy_SAGE_Encyclopedia_of_Sociology_of_Religion)
D’Amico, Giuliano. 2017. “Henrietta Frances Lord. Translating Ibsen for the Theosophical Movement”. Scandinavica 55 (I): 4–37.
Ebermayer, Erich. 1966. “...und morgen die ganze Welt.” Beyreuth: Hestia, 152–209 (excerpts translated by Thor Holt).
Habermas, Jürgen. 2008. “Notes on Post-Secular Society”. New Perspectives Quarterly 25 (IV), 17–29. (https://archive.kenan.ethics.duke.edu/religion/files/2017/04/Habermas-Notes-on-Post-Secular-Society.pdf)
Helland, Frode. 2015. Ibsen in Practice: Relational Readings of Performance, Cultural Encounters and Power. London: Bloomsbury, 119-200. (https://ebookcentral.proquest.com/lib/oslo/detail.action?docID=1983215)
Hoberman, J. 2004. “‘Nashvilleʼ contra ‘Jawsʼ: Or ‘The Imagination of Disasterʼ Revisited.” In The Last Great American Picture Show: New Hollywood Cinema in the 1970s, edited by Thomas Elsaesser, Alexander Horwath, and Noel King. Amsterdam: Amsterdam University Press, 195–222. (https://www.oapen.org/search?identifier=340230)
Holledge, Julie et al. 2016. A Global Doll’s House: Ibsen and Distant Visions. London: Palgrave Macmillan, 71–105. (http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=1336535&site=ehost-live)
Moretti, Franco. 2000. “Conjectures on World Literature”. New Left Review 1, 54–68. (https://warwick.ac.uk/fac/arts/english/currentstudents/undergraduate/modules/fulllist/special/globalnovel/moretti-conjectures-nlr_1.pdf)
Nye, Joseph S. 2008. “Public Diplomacy and Soft Power”. The Annals of the American Academy of Political and Social Science 616, 94–109. (https://journals.sagepub.com/doi/pdf/10.1177/0002716207311699)
Pagan, Isabelle. 1909. “Introduction”. In Henrik Ibsen, The Fantasy of Peer Gynt. London: The Theosophical Publishing Society, 7–30 (https://www.nb.no/items/URN:NBN:no-nb_digibok_2010090120010)
Rees, Ellen. 2015. “Post-Secular Salvation. Hallvard Bræin’s Gatas Gynt”. Nordlit 34, 371–378. (http://urn.nb.no/URN:NBN:no-52896)
--- 2019. “Peer Gynt: The Missing Years.” Forthcoming.
Witte, Karsten. 1998. “The Indivisible Legacy of Nazi Cinema.” New German Critique, no. 74 (Spring–Summer 1998): 23–30. (https://www.jstor.org/stable/488488 )
Xia, Liyang. 2018. “A Myth that Glorifies: Rethinking Ibsen’s Early Reception in China”. Ibsen Studies 18 (II), 141–168. (https://www.tandfonline.com/doi/abs/10.1080/15021866.2018.1550868)
Xia, Liyang. 2013. “Heart Higher than the Sky: Reinventing Chinese Femininity through Ibsen’s Hedda Gabler”. In Frode Helland and Julie Holledge (ed.), Ibsen Between Cultures, 113-142. Oslo: Novus Forlag.