KUN 1001: Fra antik til renessanse
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Pensum antikken
Kleiner, Fred S.: Gardner’s Art Through the Ages. A Global Approach. Wadsworth/Cengage Learning 2013 (14 ed.)
- kap. 4-8 ( ”Introduction” , ”The Prehistoric Aegean”, ”Ansient Greece”, ”The Etruscans”, ”The Roman Empire”, ”Late Antiquity”)
- 170 s.
Zanker, Paul: Roman Art, Getty Publications, Los Angeles, 2010, 1.ed.
- kap. 1-4, 7
- 154 s.
*lastes ned fra jstor.org:
- Painting in Rome and Pompeii Source: The Metropolitan Museum of Art Bulletin, New Series, Vol. 45, No. 3 (Winter, 1987- 1988),s.. 3-16 URL: http://www.jstor.org/stable/3269139
*The Paintings in the Alae of the Casa dei Vettii and a Definition of the Fourth Pompeian Style Author(s): William C. Archer Source: American Journal of Archaeology, Vol. 94, No. 1 (Jan., 1990), s.. 95-123 Published by: Archaeological Institute of America Stable URL: http://www.jstor.org/stable/505527
*Origins of Roman Landscape Painting Author(s): Karl Schefold Source: The Art Bulletin, Vol. 42, No. 2 (Jun., 1960), s. 87-96 Published by: College Art Association Stable URL: http://www.jstor.org/stable/3047888
*The Formation of a Roman Style in Wall Painting Author(s): Alan M. G. Little Source: American Journal of Archaeology, Vol. 49, No. 2 (Apr. - Jun., 1945), pp. 134-142 Published by: Archaeological Institute of America Stable URL: http://www.jstor.org/stable/499697
- *Greek Vase Painting: An Introduction Author(s): Dietrich von Bothmer Source: The Metropolitan Museum of Art Bulletin, New Series, Vol. 31, No. 1, Greek Vase Painting (Autumn, 1972), pp. 3-9 Published by: The Metropolitan Museum of Art Stable URL: http://www.jstor.org/stable/3259006
*Greek Vase Painting Author(s): John H. Oakley Source: American Journal of Archaeology, Vol. 113, No. 4 (Oct., 2009), pp. 599-627 Published by: Archaeological Institute of America Stable URL: http://www.jstor.org/stable/20627620 .
= 618 sider antikkpensum
Pensum middelalder
Kleiner, Fred S.: Gardner’s Art Through the Ages. A Global Approach. Wadsworth/Cengage Learning 2013 (14 ed.)
- kap. 9, 11–14, 20 (”Byzantium”, ”Early medieval Europe”, ”Romanesque Europe”, ”Gothic Europe”, ”Late medieval Italy”, ”Late medieval and early Renaissance Northern Europe”)
- 165 s.
* = lastes ner fra jstor/internet
** = kompendium
** Fisher, Annika Elisabeth: ”Cross Altar and Crucifix in Ottonian Cologne. Past Narrative, Present Ritual, Future Resurrection”. Decorating the Lord’s Table. On the Dynamics between Image and Altar in the Middle Ages. Søren Kaspersen, Erik Thunø (eds.). København: Museum Tusculanum Press 2006, s. 43–62
- 19 s.
* Fuglesang, Signe Horn (red.): Middelalderens bilder. Utsmykningen av koret i Ål stavkirke. Cappelens kunstfaglige bibliotek. Oslo: Cappelens forlag 1996
- 87 s.
http://www.nb.no/utlevering/nb/d7e51a9dc30f47bbedc50f684bbad355#&struct=DIV24
* Kidson, Peter: ”Panofsky, Suger and St. Denis”. Journal of the Warburg and Courtauld Institutes 50 (1987), s. 1–17
- 17 s.
URL: http://www.jstor.org/stable/751314
** Krautheimer, Richard: ”Introduction to an ’Iconography of Medieval Architecture’”. Idem: Studies in Early Christian, Medieval and Renaissance Art. New York: New York University Press 1969, s. 115–150
- 35 s
** Panofsky, Erwin: ”Abbot Suger of St. Denis”. Meaning in the Visual Arts. London 1955 el. senare utg.
- 42 s.
** Schmitt, Jean-Claude: ”Images and the historian” History and Images. Towards a New Iconology. Axel Bolvig, Philip Lindley (eds.). Medieval texts and Cultures of Northern Europe. Turnhout: Brepols 2003, s. 19–44
- 25 s.
** Snyder, Janet E.: Early Gothic Column-Figure Sculpture in France. Appearance, Materials, and Significance. London: Ashgate 2011
- kap. 5: ”Structures of power: The support of the peers” (s. 105–136)
- 31 s.
von Achen, Henrik: Norske frontaler fra middelalderen i Bergen museum. Norwegian medieval altar frontals in Bergen Museum. Bergen:
Universitetet i Bergen1996 - ca. 70 sider på norsk
= 491 s. Middelalderpensum
Pensum renessanse
Alberti, Leoan Battista: On painting, Penguin books, 2004
Kleiner, Fred S.: Gardner’s Art Through the Ages. A Global Approach. Wadsworth/Cengage Learning 2013 (14 ed.)
- Kap.21- 24 ( ”The Renaissance in Quattrocento Italy”, ” Renaissance and Mannerism in Cinquecento Italy”, ” High Renaissance and Mannerism in Nothern Europé and Spain”)
- 176 s.
Baxandall, Michael:Painting and Experience in Fifteenth Century Italy, Oxford University Press, London, 1988, 2. ed.
- Del II: The Period Eye, s.29-108.
- 80 s.
Blunt, Anthony: Artistic Theory in Italiy 1450-1600, Oxford Clarendon Press, 1962
- 151 s.
Snyder, James: Northern Renaissance Art, Harry N. Prentice Hall Inc.,Pearson,2005.
- kap. 5-8, 12-16, 22
- 244 s.
*lastes ned fra jstor.org:
*Jan van Eyck's Arnolfini Portrait Author(s): Erwin Panofsky Source: The Burlington Magazine for Connoisseurs, Vol. 64, No. 372 (Mar., 1934), pp. 117- 119+122-127 Published by: The Burlington Magazine Publications Ltd. Stable URL: http://www.jstor.org/stable/865802 .
*Sexuality and Social Standing in Jan van Eyck's Arnolfini Double Portrait Author(s): Craig Harbison Source: Renaissance Quarterly, Vol. 43, No. 2 (Summer, 1990), pp. 249-291 Published by: The University of Chicago Press on behalf of the Renaissance Society of America Stable URL: http://www.jstor.org/stable/2862365 .
= 663 sider renessansepensum
total pensum 1772 sider
NB! I tillegg kommer ca. 100 sider anbefalt pensum relatert til de obligatoriske oppgavene.