Kunsthistorisk teori og metode
- Hatt, Michael og Charlotte Klonk: Art History: A Critical Introduction to its Methods (Manchester: Manchester University Press, 2006). [Bok kan kjøpes på Akademika]
1. Winckelmann
- Davis, Whitney: “Winckelmann Divided: Mourning the Death of Art History”, i Donald Periozi, red., The Art of Art History. A Critical Anthology (Oxford: Oxford University Press, 2009 [1998]), 35-44. [Kompendium]
- Davis, Whitney: “Queer Beauty. Winckelmann and Kant on the Vicissitudes of the Ideal”, Queer Beauty. Sexuality and Aesthetics from Winckelmann to Freud and Beyond (New York: Columbia University Press, 2010), 23-50. [Kompendium]
- Winckelmann, Johann Joachim: “Reflections on the Imitation of Greek Works in Painting and Sculpture”, i Donald Periozi, red., The Art of Art History. A Critical Anthology (Oxford: Oxford University Press, 2009 [1998]), 27-32. [Kompendium]
2. Hegel
- Hegel, G.W.F.: Innledning til estetikken (Oslo: Aschehoug, 1986), 91-117. [Tilgjengelig via Nasjonalbibilioteket: http://urn.nb.no/URN:NBN:no-nb_digibok_2013101408200]
3. Formalisme: Riegl og Wölfflin
- Riegl, Alois: “Leading Characteristics of the Late Roman Kunstwollen”, i Donald Periozi, red., The Art of Art History. A Critical Anthology (Oxford: Oxford University Press, 2009 [1998]), 155-161. [Kompendium]
- Wölfflin, Heinrich: Principles of Art History (New York: Dover, 1950), 1-53. [Tilgjengelig via archive.org:] Link
4. Ikonologi
- Panofsky, Erwin: “Iconography and Iconology: An Introduction to the Study of Renaissance Art”, Meaning in the Visual Arts (Chicago: The University of Chicago Press, 1955), 26-54. [Kompendium]
5. Gombrich og Bryson
- Bryson, Norman: Vision and Painting. The Logic of the Gaze (London: Macmillian, 1983), 37-66. [Kompendium]
- Gombrich, E.H.: Art and Illusion. A Study in the Psychology of Pictorial Representation (Princeton: Princeton University Press, 2000 [1960]), 146-178. [Tilgjengelig via archive.org:] Link
6. Semiotikk
- Bal, Mieke: “Recognition: Reading Icons, Seeing Stories”, Reading “Rembrandt”. Beyond the Word-Image Opposition (Cambridge: Cambridge University Press, 1991), 177-215. [Kompendium]
- Bal, Mieke: “Signs in Painting”, The Art Bulletin 78 (1), (1996): 6-9. [Last ned selv: http://www.jstor.org/stable/3046154]
- Krauss, Rosalind. “In the Name of Picasso”, October 16 (1981): 5-22. [Last ned selv: http://www.jstor.org/stable/778371
7. Marxisme
- Clark, T. J.: “Cubism and Collectivity”, Farewell to an Idea: Episodes from a History of Modernism (New Haven: Yale University Press, 1999), 169-223. [Kompendium]
8. Ideologi og makt
- Althusser, Louis: “Ideology and Ideological State Apparatuses, i On Ideology (London: Verso, 2007). [Bok kan kjøpes på Akademika]
- Foucault, Michel: “Panoptismen”, Det modern fengsels historie (Oslo: Gyldendal Norsk Forlag, 1977), 176-201. [Tilgjengelig via Nasjonalbiblioteket: http://urn.nb.no/URN:NBN:no-nb_digibok_2007072501074]
- Rajchman, John: “Foucault’s Art of Seeing”, October 44 (1988): 88-117. [Last ned selv: http://www.jstor.org/stable/778976]
9. Feminisme
- Jones, Amelia og Erin Silver: “Queer Feminist Art History, an Imperfect Genealogy”, Otherwise. Imagining Queer Feminist Art Histories (Manchester: Manchester UP, 2016), 14-50. [Kompendium]
- Nochlin, Linda: “Why Have There Been No Great Woman Artists?”, Woman, Art, and Power and Other Essays (New York: Harper & Row, 1988), 145-178. [Kompendium]
- Parker, Rozsika og Griselda Pollock: Old Mistresses: Women, Art and Ideology (London og Henley: Routledge og Kegan Paul, 1981), 1-49. [Kompendium]
10. Psykoanalyse
- Bryson, Norman: “The Gaze in the Expanded Field”, i Vision and Visuality: Discussions in Contemporary Culture, red. Hal Foster (Seattle: Bay Press, 1988). 87-108. [Kompendium]
- Lacan, Jacques: “The Mirror Stage as Formative of the I Function”, Écrits (New York og London: W.W. Norton & Company, 2006 [2002]), 75-81. [Kompendium]
- Mulvey, Laura: “Visual Pleasure and Narrative Cinema”, Visual and Other Pleasures (New York: Palgrave Macmillian, 2009 [1989]), 14-27. [Kompendium]
11. Visuell kultur
- Mitchell, W.J.T.: «The Pictorial Turn», W.J.T. Mitchell, Picture Theory (Chicago & London: The University of Chicago Press, 1995 [1994]), 11-34. [Kompendium]
- Mitchell, W.J.T.: «What Do Pictures ‘Really’ Want?», October 77 (1996): 71-82. [Last ned selv: http://www.jstor.org/stable/778960?seq=1#page_scan_tab_contents]
- Mitchell, W.J.T.: “Showing Seeing. A Critique of Visual Culture”, Journal of Visual Culture 1 (2), (2002): 165-181. [Last ned selv: http://vcu.sagepub.com/content/1/2/165.abstract]
12. Postkolonialisme
- Nochlin, Linda: “The Imaginary Orient”, The Politics of Vision. Essays on Nineteenth-Century Art and Society (New York: Harper & Row, 1989), 33-59. [Kompendium]
13. Affekt
- Cronan, Todd: “Painting as Affect Machine”, Against Affective Formalism (Minneapolis og London: University of Minnesota Press, 2013), 23-64. [Kompendium]
- Deleuze, Gilles: Francis Bacon: The Logic of Sensation (London og New York: Continuum, 2003), 34-43 og 56-64. [Kompendium]
(Sidetall inkl illustrasjoner: 1100)