Artikler i kompendium er merket *
Bøker:
Hatt, Michael og Charlotte Klonk. Art History: A Critical Introduction to its Methods (Manchester: Manchester University Press, 2006). (244 sider)
Mirzoeff, Nicholas. How to See the World (London: Pelican, 2015). (298 sider)
Nochlin, Linda. Hvorfor har det ikke vært noen store kvinnelige kunstnere? (Oslo: Pax, 2002), 7-64. (58 sider)
1. Kunsthistoriens fødsel: Winkelmannn og Hegel
Hegel, G.W.F. Innledning til estetikken (Oslo: Aschehoug, 1986), 91-117. (27 sider).
Winckelmann, Johann Joachim. “Tanker om etterligningen av de greske verker i maleriet og billedhuggerkunsten,» Agora 24, nr. 3 (2006): 185-191. (7 sider).
2. Formalisme
*Greenberg, Clement. “Modernistisk maleri”, i Den modernistiske kunsten (Oslo: Pax, 2004), 141-156. (16 sider).
*Riegl, Alois. “Leading Characteristics of the Late Roman Kunstwollen”, i Donald Periozi, red., The Art of Art History. A Critical Anthology (Oxford: Oxford University Press, 2009 [1998]), 155-161. (7 sider).
Wölfflin, Heinrich. Principles of Art History (New York: Dover, 1950), 1-53. (53 sider).
3. Ikonologi
*Panofsky, Erwin. “Iconography and Iconology: An Introduction to the Study of Renaissance Art”, i Meaning in the Visual Arts (Chicago: The University of Chicago Press, 1955), 26-54. (29 sider)
4. Semiotikk
Barthes, Roland. “Bildets retorikk”, i I tegnets tid. Utvalgte artikler og essays (Oslo: Pax, 1994), 22-35. (14 sider) Link
Krauss, Rosalind. “In the Name of Picasso”, October 16 (1981): 5-22. (18 sider) Link
5. Ideologi
*Althusser, Louis. “A Letter on Art in Reply to André Daspre,” I Lenin and Philosophy and Other Essays (Delhi: Aakar, 2006). 151-155. (5 sider).
*Clark, T.J. «On the Social History of Art», i Image of the People. Gustave Courbet and the 1848 Revolution (London: Thames & Hudson, 1988), 9-20. (12 sider).
Foucault, Michel. “Panoptismen”, i Det modern fengsels historie (Oslo: Gyldendal Norsk Forlag, 1977), 176-201. (26 sider). Link
Holloway, Camara Dia. “Critical Race Art History”, Art Journal 75 (1), (2016): 89-92. (4 sider). Link
*Nochlin, Linda. “The Imaginary Orient”, i The Politics of Vision. Essays on Nineteenth-Century Art and Society (New York: Harper & Row, 1989), 33-59. (27 sider).
6. Feminisme og queer theory
Halperin, David. “Is There a History of Sexuality?” History & Theory 28 (3), (1989): 257-274. (18 sider). Link
Parker, Rozsika og Griselda Pollock, Old Mistresses: Women, Art and Ideology (London og Henley: Routledge og Kegan Paul, 1981), s. 1-49, 171-172.
7. Psykoanalyse
Angela Rosenthal, "She's Got the Look!: Eighteenth-Century Female Portrait Painters and the Psychology of a Potentially Dangerous Employment," in Portraiture: Facing the Subject, ed. Joanna Woodall (Manchester: Manchester University Press, 1997), pp.147-166. (20 sider)
Hubert Damisch, "Bridging the Gap Between Two Scenes," in Whose Freud?: The Place of Psychoanalysis in Contemporary Culture," eds, Peter Brooks and Alex Woloch (New Haven: Yale University Press, 2000), pp. 93-95. (3 sider)
LINK: JSTOR, www.jstor.org/stable/j.ctt1nq728.13.
Freud, Sigmund (1912). "Recommendations to Physicians Practising Psycho-Analysis," The Standard Edition of the Complete Psychological Works of Sigmund Freud, Volume XII (1911-1913): The Case of Schreber, Papers on Technique and Other Works, 109-120 (22 sider)
Freud, Sigmund. "The Medusa's Head (1922/23)," in The Medusa Reader, eds. Marjorie Garber and Nancy J. Vickers (New York: Routledge, 2003), 84-87. (4 sider)
Totalt pensum inkl illustrasjoner: 961 sider.