PENSUM KUNSTEN 1950-2000
Titler merket * er tilgjengelig i kompendiet KUNST 1950-2000 (UNIPUB) som fås kjøpt på AKADEMIKA. Pensum er på 1500 sider inkl. bilder
Litteraturlisten er på 1500 sider inkl. bilder.
Studenter på bachelor-nivå velger ut et pensum på 1000 sider av disse 1500. Obligatorisk pensum hvert semester er artiklene som gjennomgåes i forelesningene (liste deles ut i begynnelsen av hver forelesningsrekke). Det anbefales ellers å legge opp hele Thomas Crow, kapitler fra Rosalind Krauss og Hal Foster, i tillegg til momenter fra samtlige tekstsamlinger om enkeltkunstnere.
Studenter på master-nivå velger ut et pensum på minst 1300 sider.
GENERELT PENSUM / OVERSIKTSVERK
Crow, Thomas: The Rise of the Sixties, 1996. ss .7-192 .
Foster, Hal: The Return of the Real, 1996. the MIT Press. ss.35--169 kapittel 2-5.
Krauss, Rosalind: Passages in Modern Sculpture, 1977. Mit Press . kapittel 3, 5 og 7.
Charles Harrison & Paul Wood (ed.): Art in Theory 1900-1910 An Anthology of Changing Ideas, 1992. Blackwell Publishers . (Forkortet til AiT i pensumlisten) .
Brun, Hans Jacob: "Etterkrigstid" i Norges Malerkunst, bd.2, ss.201
PENSUM TIL HVER ENKELT FORELESNING:
INTRODUKSJON
Crow, Thomas : The Rise of the Sixties, 1996. ss. 7-192 .
Habermas, Jürgen: Modernity - An Incomplete Project (1980) AiT:1000-1008
Lyotard, Jean Francois: What Is Postmodernism? (1982) AiT:1008-1015
Greenberg, Clement: Avant-garde and Kitsch (1939), AiT: 529-540. Towards a Newer Laocoon (1940), AiT: 554-560. Modernist Painting (1961), AiT: 754-760.
Adorno, Theodor: Fra Commitment (1962), AiT: 760-764
Fried, Michael, Three American Painters (1965), AiT 769-775
JACKSON POLLOCK
*Clark, T.J., The Unhappy Consciousness, i Farewell to an Idea. Episodes from a History of Modernism, New Haven: Yale University Press, 1999, ss. 299-369
* Krauss, Rosalind, Jackson Pollocks Agency, i: Gaehtgens, Thomas W. (red.) Künstlerischer Austtausch. Akten des XXVIII. Internationalen Kongresses für Kunstgeschichte Berlin, 15.-20. Juli 1992, bd. II, ss.329-338
*Kaprow, Allan, The Legacy of Jackson Pollock, i Essays on the Blurring of Art and Life, Berkeley: University of California Press, 1993, ss. 1-9
*Jones, Amelia, The Pollockian Performative and the Revision of the Modernist Subject, i Body Art. Performing the Subject, Minneapolis:University of Minnesota Press, 1998, ss.53-77
* Rosenberg, Harold, The American Action Painters (1952), i The Tradition of the New, New York: McGraw-Hill Book Company, 1965 (1959), ss.23-29
MARCEL DUCHAMP
Krauss, Rosalind. (1977), ss. 69-84 på generelt pensum
*Jones, Amelia, Preface i Postmodernism and the Engendering of Marcel Duchamp, s. xi-xviii + ss. 29-62
*Steihaug, Jon-Ove, Historien om en Fontene, 1993. I: UKS-Forum for samtidskunst nr. 1/2-1993, ss. 43-47
*Duchamp, Marcel, Apropos of Readymades, 1966. I: Sanouillet; Michel (ed.), The Writings of Marcel Duchamp, 1973, ss. 141-142
*de Duve, Thierry, The Readymade and the Tube of Paint, i Kant after Duchamp, Cambridge: The MIT Press, 1996, ss.149-196
*Cabanne, Pierre, ”A Window onto Something Else”, i Dialogues with Marcel DuchampNew York: Da Capo, 1971/1967, ss. 28-51
ANDY WARHOL
*McShine, Kynaston, Introduction Fra Andy Warhol: A Retrospective, MoMA, New York, 1989, ss. 13-23
*Buchloh, Benjamin H.D., Andy Warhols One-Dimensional Art, ss. 39-61
*Crow, Thomas, Saturday Disasters: Trace and Reference in Early Warhol, i Modern Art in the Modern Common Culture, New Haven: Yale University Press, 1996, ss.49-65
Foster, Hal, generelt pensum,. ss. 127-136.
*Crimp, Douglas, Getting the Warhol We Deserve, Social Text 59, Vol.17, No. 2, Summer 1999, ss.49-65
*Flatley, Jonathan, Warhol Gives Good Face: Publicity and the Politics of Prosopopeia, i: Jennifer Doyle et.al. Pop Out. Queer Warhol, 1996.ss. 101-133
*Warhol, Andy, The Philosophy of Andy Warhol, 1975, ss. 77-85, 91-103
DONALD JUDD MINIMAL ART
*Meyer, James: "Survey", i Minimalism, ed. James Meyer, Phaidon, 2000, ss.14-45
*Schmedling, Olga: "Samtidskunstens tidsrom", i Kunstrommet, Byrommet, Maktrommet, i red. Oddrun Sæter, Norges Forskningsråd, KULTs skriftserie nr. 102, 1998
*Merleau-Ponty, Maurice: "Egenkroppens syntese" inkl. "Kroppens enhet og kunstverkets enhet" "Den perceptuelle vane som tilegnelse av en verden", i Kroppens fenomenologi,Pax 1994, ss.104-112
*Sandqvist, Tom: "Den bokstavliga gestaltens specifika objekt " og "Rommet och kroppen" i Den meningslösa kuben, hhv. ss. 315-321 og ss. 375-382
*Wollheim, Richard: "Minimal Art", oppr, 1965, Minimal Art. A Critical Anthology, ed. Gregory Battcock: ss.387-400 ,
*Judd, Donald: "Specific Objects", 1965, i AiT, ss. 809-813,
*Morris, Robert Notes on Sculpture: Part I, II,III, i AiT, ss. 813-823
*Morris, Robert, "Anti-Form", i Minimalism, ed. Meyer, ss.243-44
*Smithson, Robert, Entropy and the New Monuments, i Robert Smithson: The Collected Writings, ed. Jack Flam, oppr.Art Forum, 1966, ss. 10-23
*LeWitt, Sol: "Paragraphs on Conceptual Art")i AiT, ss. 834-837
*Fried, Michael: "Art and Objecthood" i AiT, ss.822-834
Krauss, Rosalind, "The Double Negative: a new syntax for sculpture" (22 s.generelt pensum)
*Chave, Anne C: "Minimalism and the Rhetoric of Power" i Minimalism ed. Meyer, ss. 275-285
Hal Foster: "The Crux of Minimalism" (23 s.generelt pensum)
* Wallenstein, Sven-Olov: "Det utvidgade fältet från högmodernism till konceptualism", i Konsten och konstbegreppet, Kungl. Konsthögskolan, Stockholm, 1996, s.117-153
ROBERT SMITHSON LAND ART
* Hobbs, Robert: Robert Smithson:Retrospective ,I katalog fra ARC Muséé D`Art Moderne de la Ville de Paris, 1982/83, ss.11-19
* Kastner, Jeffrey: "Survey", i Land and Environmental Art, ed. Kastner/ Wallis, Phaidon, 1998, ss. 18-43
* Krauss, Rosalind, "Sculpture in the Expanded Field" kopiert fra fra The Originality of the Avant-Garde and Other Modernist Myths, Cambridge, Mass.: MIT Press, 1985, s.276-291
*Fra Robert Smithson: The Collected Writings, Ed. Jack Flam, University of California, 1996 A sedimentation of the mind. Earth Projects, ss 100-114, "Spiral Jetty", 1972 ss.143 153,"Earthwords" reprinted from October 1979
*Morris,Robert: "Notes on Sculpture. Part 4: Beyond Objects" i AiT ss.868-873
*"Robert Smithson on Duchamp", interview with Moira Roth, ss.310-313
*Grøgaard, Stian: "Smithson inkubert" , i Robert Smithson 1955-1973, Museet for Samtidskunst, Oslo 1999, ss. 88-122
JOSEPH BEUYS
*Borer, Alain: "A Lament for Joseph Beuys". In The Essential Joseph Beuys. Massachusetts 1997, ss. 11-34
*Buchloh Buchloh, Benjamin: "Twilights of the Idol. Preliminary Notes for a Critique." Artforum, Vol. 18/5, Januar 1980, ss. 35-43
*De Duve, Thierry: "Joseph Beuys or The Last of the Proletarians", October 45, MIT Press 1988, ss.47-62
*Kuoni, Carin (red.): Energy Plan for the Western Man. Joseph Beuys in America. New York, ss. 19-57
*Kuspit, Donald: "Joseph Beuys. Between Showman and Shaman". In Thistlewood, David (red.): Joseph Beuys. Diverging Critiques. Liverpool 1995, 27-51
GERHARD RICHTER
*Nestegaard, Jutta: "Gerhard Richter Mannen som ville hoppe over sin egen skygge", i Gerhard Richter. Det umuliges kunst malerier 1964-1998, Oslo 1999, ss. 9-55
*Koch, Gertrud: "The Richter-Scale of Blur", i October 62, MIT Press 1992, ss. 133-140
*Osborne, Peter: "Painting Negation: Gerhard Richter's Negatives", i October 62, MIT Press 1992, ss. 103-111
*Fra Hans Ulrich Obrist (red.): Gerhard Richter. The Daily Practice of Painting; Writings and Interviews 1962-1993. London, 1995 Interview with Benjamin D.H. Buchloh, s. 132-166 Conversation with Sabine Schutz, ss. 207-218
CINDY SHERMAN
Foster 1996, generelt pensum ss. 136-168
*Mulvey, Laura, A Phantasmagoria of the Female Body: The Work of Cindy Sherman, i New Left Review, no. 188, July/August, 1991, ss. 137-150
*Steihaug, Jon-Ove, Case: The Interpretation of the Work of Cindy Sherman, i Abject / Informe / Trauma. Discourses on the Body in American Art of the Nineties, Oslo: ForArt, 1998, 43-49
*Krauss, Rosalind, Cindy Sherman 1975-1993, New York: Rizzoli, 1993, ss. 17-195
*Jones, Amelia, Tracing the Subject with Cindy Sherman, i Cindy Sherman: Retrospective, New York: Thames and Hudson, 1997, ss. 33-53
*Jones, Amelia, Body Art. Performing the Subject, Minneapolis: University of Minnesota Press, 1998,ss. 151-185
*Crimp, Douglas, ”Pictures”, i: Brian Wallis (ed.) Art After Modernism, New York: The New Museum of Contemporary Art, 1984, ss. 175-187
*Thorkildsen, Åsmund, Hun forlot aldri huset uten å..., i Louise Lawler, Cindy Sherman, Laurie Simmons, Kunstnernes Hus, 30.1-7.3 1993, ss. 6-29