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Kompendium kan kjøpes på kopiutsalget, Akademika
Vennligst husk studentbevis!
Kompendium 1:
Morris, William: How we Live and How we Might Live,” [1887] in The Fin de Siècle: A Reader in Cultural History c. 1880-1900, ed. Sally Ledger and Roger Luckhurst, 2000. Oxford University Press. pp 175-180.
Debora L. Silverman: Introduction” and Chapter 6: “The Central Union of the Decorative Arts,” in Art Nouveau in Fin-de-Siècle France: Politics, Psychology, and Style, 1989. pp 1-13, 109-133, 315-317, and 339-344.
Clunas, Craig: "Social History of Art" i Critical Terms for Art History: 2nd ed. Chicago, 2003. Pp. 465-477.
Mitchell, W. J. T: Introduction: Utopia and Critique,” in Art and the Public Sphere , Chicago: 1992. pp. 1-5.
Wagner, Anne Middleton: Art and Propriety,” in Jean-Baptiste Carpeaux. Sculptor of the Second Empire, 1986. New Haven: Yale University Press. pp 209-244 and 300-206.
Benedict Anderson, Forestilte fellesskap: refleksjoner omkring nasjonalismens opprinnelse og spredning (trans. Espen Andersen), 1996: Chapters 1 + 2 : "Introduction" and "Cultural Roots" (in English, it is through page 39.
Lowenthal, David: How we Know the Past” [Chapter 5], in The Past is a Foreign Country, 1995. Cambridge University Press [1985]. pp 185-259. (Finnes evt. i tillegget).
Young, James E: Monument/Memory,” in Critical Terms for Art History, ed. Robert S. Nelson and Richard Shiff, 1996. The University of Chicago Press. pp 234-247.
Kompendium 2
Riegl, Alois: Der moderne Denkmalkultus, sein Wesen, seine Entstehung , Vienna, 1903 Tr. K. W. Forster and D. Ghirardo, “The modern cult of monuments: its character and origin,” Oppositions 25 (1982), . pp 21-50.
Elsen, Albert: The Gates of Hell’ by Auguste Rodin, 1985. Stanford University Press. pp 3-55 + notes.
Guth, Doris: That is not a sign of the times, it is a sign of extravagance: The Scandal Surrounding Gustav Klimt’s Faculty Paintings,” in Tobias G. Natter and Max Hollein, eds. The Naked Truth: Klimt, Schiele, Kokoschka, and Other Scandals, (exh. cat.), Munich 2005. Prestel Verlag and Schirn Kunsthalle Frankfurt and Leopold Museum.
Vergo, Peter: Between Modernism and Tradition: The Importance of Klimt’s Murals and Figure Paintings,” in Colin B. Bailey, ed., Gustav Klimt: Modernism in the Making, Harry N. Abrams and National Gallery of Canada, Ottawa, 2001. pp 19-39, 212-213.
Munch, Edvard: Munchs Forklaring til Utkastene,” in Konkurransen om den Kunstneriske Utsmykning av Universitetets Nye Festsal, dated August 1, 1911,
Berman, Patricia: Making Family Values: Narratives of Kinship and Peasant Life in Norwegian Nationalism,” in Art, Culture, and National Identity in Fin-de-Siècle Europe, ed. Michelle Facos and Sharon Hirsh, N. Y. 2003. Cambridge University Press. pp 207-228 .
Robinson, William H. and Carmen Belen Lord: Introduction,” Barcelona and Modernity: Picasso, Gaudí, Miro, Dalí, , 2006. Cleveland Museum of Art and Yale University Press. pp 2-26.
Suarez, Alicia and Merce Vidal: Catalan Noucentisme, the Mediterranean, and Tradition,” in Barcelona and Modernity: Picasso, Gaudi, Miro, Dali, 2006. Cleveland Museum of Art and Yale University Press. pp 226-232.
Parigoris, Alexandra: Pastiche and the Use of Tradition, 1917-1922," in Barcelona and Modernity: Picasso, Gaudi, Miro, Dali, 2006. Cleveland Museum of Art and Yale University Press. pp 296-308.
Lubar, Robert S: Cubism, Classicism, and Ideology: The 1912 Exposicio' d'Art Cubista in Barcelona and French Cubist Tradition," in Barcelona and Modernity: Picasso, Gaudi, Miro, Dali, 2006. Cleveland Museum of Art and Yale University Press. pp 309-323.
Elliott, Patrick: Sculpture in France and Classicism, 1910-1939," in On Classic Ground: Picasso, Leger, de Chirico and the New Classicism 1910-1930, London, 1990. Tate Gallery. pp 283-295.
Silver, Kenneth: "A More Durable Self" i Kenneth Silver, ed.: Chaos and Classicism: Art in France, Italy, and Germany, 1918-1936 (exh. cat.), New York, 2010. Solomon R. Guggenheim Museum. 14-31, 51.
Rivera, Diego: The Revolutionary Spirit in Modern Art," Modern Quarterly 6 , Autumn 1932.
Kompendium 3
Schapiro, David: The Social Bases of Art,” in David Shapiro, ed., Social Realism: Art as a Weapon , New York: 1973. pp. 118-27.
Bloch, Lucienne: On Location with Diego Rivera: The Making of Rivera’s Rockefeller Center Mural,” Art in America 74 , February 1986.
Askeland, Jan: Freskoepoken, : Studier i profant norsk monumentalmaleri 1918-1950, Oslo 1965. Gyldendal Norsk Forlag. s. 15-41 and 227-229.
Watkins, Nicolas: The Genesis of a Decorative Aesthetic,” in Gloria Groom, Beyond the Easel: Decorative Painting By Bonnard, Vuillard, Denis, and Roussel, 1890-1930, 2001. The Art Institute of Chicago. pp 1-28.
Groom, Gloria: Coming of Age: Patrons and Projects, 1890-99,” in Gloria Groom, Beyond the Easel: Decorative Painting By Bonnard, Vuillard, Denis, and Roussel 1890-1930, 2001. The Art Institute of Chicago. pp 31-57.
Facos, Michelle: Educating a Nation of Patriots: Mural Paintings in Turn of the Century Swedish Schools,” in Art, Culture, and National Identity in Fin-de-Siècle Europe, ed. Michelle Facos and Sharon Hirsh, N. Y 2003. Cambridge University Press. pp 229-249.
Artikler som finnes i eget tillegg:
Hillström, Magdalena, “Sweden versus Norden in the Nordiska Museum,” in Peter Aronsson and Lizette Gradén (eds.), Performing Nordic Heritage: Everyday Practices and Institutional Culture, London and Burlington, VT: Ashgate Press, 2013, pp. 247-270.
Braun, Emily: Klimtomania/Klimtophobia,” in Colin B. Bailey, ed., Gustav Klimt: Modernism in the Making, Harry N. Abrams and National Gallery of Canada, Ottawa, 2001. 41-53, 214-216.
Artikler som finnes på internet
Clark, T. J.: "On the Social History of Art" i Image of the people: Gustave Courbet and the Second French Republic 1848-1851.: Berkeley, 1999 (orig pub 1973), pp. 9-20, Via google books: . http://tinyurl.com/69w84cd.
Aquilino, Marie Jeannine: Painted Promises: The Politics of Public Art in Late Nineteenth-Century France,” The Art Bulletin, Vol. 75, No. 4 (Dec., 1993) , pp. 697-712. http://www.jstor.org/stable/3045990.
Hutton, John: Picking Fruit: Mary Cassatt's "Modern Woman" and the Woman's Building of 1893,”Feminist Studies" Vol.20, No.2, Women´s Agency: Empowerment and the Limits of Resistance (summer, 1994), Published by: Feminist Studies, Inc. pp. 318-348. http://www.jstor.org/stable/3178155.
Nora, Pierre: Between Memory and History: Les Lieux de Mémoire,” Representations, No. 26, Special Issue: Memory and Counter-Memory , Spring, 1989. Published by: University of California Press. pp. 7-24 . http://www.jstor.org/stable/2928520.
Shaw, Jennifer L: Imagining the Motherland: Puvis de Chavannes, Modernism, and the Fantasy of France,” The Art Bulletin Vol. 79, No. 4 , Dec. 1997. pp. 586-610 . http://www.jstor.org/stable/3046277.
Marlowe-Storkovich, Tina: Medicine" by Gustav Klimt,” Artibus et Historiae, Vol. 24, No. 47 , 2003. Published by: IRSA s.c.. pp. 231-252. http://www.jstor.org/stable/1483769.
Daviau, Donald G: Hermann Bahr and Gustav Klimt: A Chapter in the Breakthrough of Modernity in Turn-of-the-Century Vienna,” German Studies Review, Vol. 3, No. 1 , Feb., 1980. Published by: German Studies Association. pp. 27-49. http://www.jstor.org/stable/1429482.
Linsley, Robert: Utopia Will Not be Televised: Rivera at Rockefeller Center,” Oxford Art Journal 17 (1994) Oxford Art Journal Vol. 17, No. 2 , 1994. Published by: Oxford University Press http://www.jstor.org/stable/1360574. pp. 48-62. http://www.jstor.org/stable/1360574.
Øvrig pensum i Fronter
ed. Ingebjørg Ydstie and Patricia G. Berman (ech. Cat.): I Munchs Laboratorium: Veien til aulen, Oslo 2011. Munch Museum.