Titler merket * er tilgjengelig i kompendium, til salg på Akademika
*Alpers, Svetlana, Looking at Words: The Representation of Texts in Dutch Art, in : The Art of Describing. Dutch Art in the Seventeenth Century, John Murray Publishers: London 1983, 169-221. s. 169-221.
*Bal, Mieke: Reading Rembrandt, Cambridge University Press: Berkeley 1991. Kap.1 Beyond the Word-Image Opposition pp 25-54 , Kap. 5 Reading Icons, Seeing Stories pp 177-206, Kap.6 Textuality and Realism pp 216-245.
*Barthes, Roland: Image Music Text, Fontana, Fontana: London 1977. From Work to Text, pp 155-165, The Death of the Author, pp 142-149.
*Bryson, Norman: Vision and Painting, Yale University Press: New Haven 1983 . The Image from Within and Without, pp. 67-86, The Gaze and the Glance, pp. 87-132.
*Bryson, Norman: Semiology and Visual Interpretation + Stephen Melville Commentary: Reflections on Bryson, in Bryson, Holly & Moxey (eds.), Visual Theory, Polity Press: Cambridge 1991. pp 61-78.
*Bryson, Norman (ed.), Discourse, Figure in: Word and Image, Cambridge University Press: Cambridge 1981. pp 1-28.
Culler, Jonathan: The Pursuit of Signs. Semiotics, Literature and Deconstruction, Cornell University Press: New York 1981. 242 p.
Foucault, Michel: This is Not a Pipe, University of California Press: Berkeley 1983. 63 p.
*Foucault Michel, Las Meninas, in : The Order of Things, Routledge: London 1992. pp. 3-16.
*Krauss, Rosalind: The Originality of the Avantgarde and Other Modernist Myths, MIT Press: Cambridge, Massachusetts 1986. In The Name of Picasso, pp 23-42, Notes on the Index 1 & 2, pp 196-221.
*Krauss, Rosalind: Using Language to do Business as Usual + Norman Bryson Commentary: The Politics of Arbitrariness in Bryson, Holly & Moxey (eds.), Visual Theory, Polity Press: Cambridge 1991. pp 79-100.
Marin, Louis: To Destroy Painting, The University of Chicago Press: Chicago 1995. 186 p.
Mitchell, W.J.T.: Iconology. Image, Text, Ideology, The University of Chicago Press: Chicago 1987. 226 p.
*Mitchell, W.J.T., What do Pictures Really Want, in : October 77, MIT Press, Cambridge, Massachusetts, 1996. pp 71-82.
*Mukarovsky, Jan Art as Semiological Fact, in Norman Bryson: Calligram, Cambridge University Press: Cambridge 1988. pp 1-7.
*Owens, Craig: Beyond Recognition. Representation, Power and Culture, University of California Press: Berkeley 1992. The Allegorical Impulse: Toward a Theory of Postmodernism, Part 1 & 2, pp. 52-87, Representation, Appropriation and Power, pp. 88-113.
*Prinz, Jessica, Smithsons Labyrinth of Signs, in : Art Discourse. Discourse in Art, Rutgers University Press: New Jersey, 1991. pp 79-123.
*Said, Edward W., The Problem of Textuality: Two Exemplary Positions, in Philipson and Gudel (eds.): Aesthetics Today, New American Library: New York 1980. pp. 87-134.
*Sayre, Henry, So Much to Tell: Narrative and the Poetics of the Vernacular in: The Object of Performance. The American Avantgarde since 1970, University of Chicago Press: Chicago 1989. pp 174-211.
1266 p
ANBEFALT TILLEGGSLESNING: Hawkes, Terence, Structuralism and Semiotics, University of California Press 1987, 192 p