- Giorgio Agamben, “The Eternal Return and the Paradox of Passion”. Stanford Italian Review, vol. 6, nos. 1-2 (1986), 9-17.
- Susanna Berger, The Art of Philosophy: Visual Thinking in Europe from the Late Renaissance to the Early Enlightenment (Princeton UP, 2017): 1-39.
- Hans Belting, Likeness and Presence: A History of the Image before the Era of Art (Chicago UP, 1994), 144-163.
- John Bender & Michael Marrinan, The Culture of Diagram (Stanford UP, 2010), pp. 21-52.
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Whitney Davis, Visuality and Virtuality: Images and Pictures from Prehistory to Perspective (Princeton UP, 2017), pp. 69-93.
- Gilles Deleuze, Francis Bacon: The Logic of Sensation: (Continuum, 2003), pp. 34-64.
- Michel Foucault, The Order of Things: An Archaeology of the Human Sciences (Routledge, 1989), 3-19.
- Michel Foucault, This Is Not a Pipe (U of California P, 1982). Link
- Hanneke Grootenboer, “The Pensive Image: On Thought in Jan van Huysum’s Still Life Paintings.” Oxford Art Journal 34, no. 1 (2011): 13-30.
- Marie-José Mondzain, Image, Icon, Economy: The Byzantine Origins of Contemporary Imaginary (Stanford UP, 2005), 69-117.
- Friedrich Nietzsche, The Will to Power (Vintage, 1968), pp. 300-331.
- Plato, The Republic (selection)
- Jean-Pierre Vernant, “The Birth of Images,” in Mortals and Immortals: Collected Essays, ed. Froma Zeitlin (Princeton UP, 1991), 164-185.
- Jakub Zdebik, Deleuze and the Diagram: Aesthetics Threads in Visual Organization (Continuum, 2012), pp. 1-23.