Pensum foreligger i kompendium.
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Required Reading:
Bøker som kjøpes på Akademika (Books available at Akademika bookstore)
required textbook, which is particularly recommended for navigating the program and for class discussions: Lisa Jardine and Jerry Brotton, Global Interests: Renaissance Art between East and West, Cornell UP, 2000.
Additional and required readings are listed for each class, and are compiled in a compendium that will be made available to students at “kopiutsalget, Akademika” beforehand.
Bøker som finnes på biblioteket (Books availableat the library)
Christian, Kathleen, and Leah R. Clark. European art and the wider world 1350-1550. Manchester: Manchester University Press, 2017. (1-17, 23-36)
Diana Newall, “Confronting Art History: overviews, perspectives and reflections,” in Diana Newall (ed.), Art and its global histories: a reader (Manchester: Manchester University Press, 2017), pp. 10–49.
Rosamond E. Mack, Bazaar to Piazza. Islamic trade and Italian art, 1300–1600 (Berkeley-Los Angeles-London: University of California Press, 2002), pp. 27-93.
Caroline Campbell (ed.), Bellini and the East, London 2005, pp. 12–31.
Roger Jones and Nicholas Penny, Raphael (New Haven and London: Yale University Press, 1983), pp. 49–80, 235–246
Christiane L. Joost–Gaugier, “The geography of the Stanza della Segnatura,” in Raphael’s Stanza della Segnatura. Meaning and Invention, Cambridge 2002, pp. 59–64.
Lia Markey, Imagining the Americas in Medici Florence, University Park, PA, 2016, pp. 1–15 + 63–76 + 119–163.
David Kim, The Traveling Artist in the Italian Renaissance: geography, mobility, style, New Haven–London 2014, pp. 1–7, 11–38.
Catherine Fletcher, The Black Prince of Florence. The Spectacular Life and Treacherous World of Alessandro de’ Medici, Oxford 2016, pp. 251–260.
Kate Lowe, “The stereotyping of black Africans in Renaissance Europe,” in Black African in Renaissance Europe, ed. Kate Lowe, Oxford 2005, pp. 17–47.
Kompendium (Compendium)
Stephen J. Campbell and Michael Cole, A new history of Italian Renaissance Art. Second Edition (London: Thames and Hudson, 2017), pp. 12-17, pp. 102-119, pp. 125-136, pp. 156-158, pp. 233-245, pp. 253-258, pp. 261-266, pp. 278-285, pp. 294-297, pp. 326-336, pp. 345-354, pp. 354-362, pp. 358-362, pp.362-372, pp. 372-377, pp.388-409, pp. 404-407, pp. 412-418, pp. 430-431, 433-438, pp. 474-479, pp. 491-193, pp. 493-495, pp. 531-537, pp. 652-654, pp. 190-194.
Anne Gerritsen and Giorgio Riello, “The global lives of things: material culture in the first global age,” in Idem (eds.), The Global Lives of Things. The material culture of connections in the early modern world (London–New York, Routledge, 2016), pp. 1-27
M. Ajmar-Wolheim and L. Molà, “The Global Renissance: Cross-Cultural Objects in the Early Modern World,” in G. Adamson (ed.), Global Design History, New York 2011, pp. 9–24.
Paula Findlen, Possessing Nature. Museums, collecting, and scientific culture in early modern Italy, Berkeley-Los Angeles-London 1994, pp. 17–47.
Francesca Fiorani, “Maps, politics, and the grand duke of Florence: the Sala della Guardaroba Nuova of Cosimo I de’ Medici,” in Roy Eriksen and Magne Malmanger (eds.), Basilike Eikon. Renaissance Representation of the Prince (Rome: Kappa, 2001), pp. 73–102.
Books available on the Internet
Frits Scholten and Joanna Woodall, “Netherlandish artists on the move,” in Nederlands Kunsthistorisch Jaarboek, 62 (2013), pp. 7–38.
Joaneath Spicer, “European Perceptions of Blackness as Reflected in the Visual Arts,” in Revealing the African Presence in Renaissance Europe, Baltimore 2012, pp. 35–60.
Marcia B. Hall, “Michelangelo’s Last Judgment: Resurrection of the Body and Predestination,” in Art Bulletin 58 (1976), pp. 85–92.
Alexander Nagel, Some Discoveries of 1492: Eastern antiquities and Renaissance Europe (Groeningen 2013), pp. 5–42
Leo Steinberg, “Michelangelo’s ‘Last Judgment’ as Merciful Heresy,” in Art in America 63 (1975), pp. 49–63.
Books available on the Internet through UiO
L. Laurencich–Minelli, “From the New World to Bologna, 1533. A gift for Pope Clement VII and Bolognese collections of the sixteenth and seventeenth centuries,” Journal of the History of Collections, 24 (2012), pp. 145–158.
In the Library at the Institute in Rome
Carlo Ginzburg, The enigma of Piero: Piero della Francesca, the Baptism, the Arezzo cycle, the Flagellation (London: Verso, 1985), chs. 3 and 4 (44 pages).
Paul Wood, “Aspects of art in Venice: encounters with the East,” in European Art and the wider world, pp. 133–163.
Martin Kemp, Leonardo da Vince: The Marvellous Works of Nature and Man (Oxford: Oxfrod University Press, 2006), pp. 271–348.
Patricia Lee Rubin, Giorgio Vasari: Art and History (New Haven and London: Yale University Press, 1995), pp. 187–230.
Irene Fosi, “The Plural City: Urban Spaces and Foreign Communities,” in Pamela Jones, Barbara Wish and Simon Ditchfield, A Companion to Early Modern Rome (Leiden: Brill, 2019), pp. 169–183.
Leah R. Clark, “Collecting the new World: art, nature and representation,” in European Art and the wider world, pp. 101–129.