Hans Belting: "The Unwelcome Heritage of modernism: Style and History", Art History after Modernism, 2003. The University of Chicago Press. s. 26-36. (10 s).
Hans Belting: "Methods and Games of an Academic Discipline", Art History after Modernism, 2003. The University of Chicago Press. s. 137-147. (10 s).
Henrik Cornell: "Formens problem", 1928. Almqvist og Wiksell. Opptrykk 1966, s. 36-69. Karakteriseringsproblemet i konstvetenskapen. (50 s).
Henri Focillon: "The worlds of Forms", The Life of Forms in Art, 1989. Zone Books. s. 31-63. (32 s).
Roger Fry : J. B. Bullen (ed): "An Essay in Aesthetics"; "The Artist's Vision", Vision and Design, 1981. Oxford University Press. s. 12-27, s. 33-38. (16 s).
Jonathan Gilmore: "Censorship, Autonomy, and Artistic Form", Art History, Aesthetics, Visual studies, 2002. Clark studies in visual arts, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts. s. 105-121. (16 s).
Gombrich: "Norm and Form, The Stylistic Categories of Art History and their Origins in renaissance ideals", Norm & Form, 1966. Phaidon. s. 81-98. (17 s).
Clement Greenberg: "Avant Garde and Kitsch", Collectet essays, Vol 1; "Towards a Newer Laocoon", Vol 1; "Modernist Painting", Vol 4. The Collected Essays and Criticism Vol 1-4, 1986-1993. The University of Chicago Press. s. 5-22; s. 23-38; s. 85-93. (40 s).
Hal Foster: "Antinomies in Art History", Design and Crime, 2002. Verso, London and New York. s. 83-93. (10 s).
Jonathan Harris: "Pure Formality: 1960s abstract painting", Writing Back to modern Art, 2005. Routledge, London and New York. s. 63-90. (27 s).
Meyer Schapiro: "On Some Problems in the Semiotics of Visual Art: Field and Vehicle in Image Signs"; On Perfection, Coherence and Unity of Form and Content", "Style", Theory and Philosophy of Art: Style, Artists, and Society, 1994. George Graziller Inch, New York. s. 1-102. (102 s).
Laurie Schneider Adam: "Formalism and Style", The Methologies of Art, 1996. Westview Press. s. 16-35. (19 s).
Leo Steinberg: "Preventive Esthetics", Other Criteria, 1972. Oxford University Press. s. 64-91 (27 s).
Heinrich Wölfflin: "Introduction"; "Linnear and Painterly, general Observations", Principles of Art History, 1950. Dover Publications, New York. s. 1-53 (53 s).
Viktig: Denne litteraturen er pensum for den delen av kurset som holdes av Øyvind Storm Bjerke.