Anne WIckstrøms pensumliste:
Nochlin, Linda : Hvorfor har det ikke vært noen store kvinnelige kunstnere, 2002. Oslo : Pax. Pax artes ; nr 8 .
Garb, Tamar: "Gender and Representation" i Frascina, Francis: Modernity and modernism : French painting in the nineteenth century, 1993. Yale University Press. s. 219-290. Ca. 140s..
Erik Mørstads pensumliste:
Hide, Øystein : Erfaring og forståelse : biografi som teori og praksis , 2005. [Oslo] : Unipub. s. 63-86, 141-61.
Meyer, Siri: "Monografien som faglitterær genre. På sporet av det tapte subjekt." i Kunst og kultur , 1991. nr. 3, s. 170-179.
Åmås, Knut Olav: "Biografien teori og metode" i Mitt liv var draum : ein biografi om Olav H. Hauge, 2004. Oslo : Samlaget. s. 547-604.
Espen Johnsens pensumliste:
Modernismens stil og historiografi:
Goldhagen, Sarah Williams: “Something to Talk About: Modernism, Discourse, Style.” Journal of the Society of Architectural Historians, volume 64, nr. 2 june 2005, s. 144-167.
Tournikiotis, Panayotis: ”Introduction”, “The Art Historians and the Founding Genealogies of Modern Architecture.” The Historiography of Modern Architecture, MiT Press, 1999 s. 1- 49.
Metoder og teorier innen nyere arkitekturhistorie:
Journal of the Society of Architectural Historians. Architectural History 1999/2000. Special issue of JSAH, Volume 58, nr.3 September 1999. Her leses:
Introduction Blau, Eve:”Architectural History 1999/2000.A special issue of JSAH”, s. 278-280.
The Academy Payne, Alina A.: “Architectural History and the History of Art: A Suspended Dialogue”, s.292-300.
Friedman, Alice T.: “The Way You Do The Things You Do. Writing the History of Houses and Housing”, s. 406-413.
Groth, Paul: “Making New Connections in Vernacular Architecture”, s. 444-451.
Perspectives and Parameters McPhee, Sarah: “The Architect as Reader”, s. 454-461.
Colomina, Beatriz: “Collaborations. The Private Life of Modern Architecture”, s. 462-471.
Kinney, Leila W: “Fashion and Fabrication in Modern Architecture”, s.471-481.
Vidler, Anthony: ”Technologies of Space/Spaces of Technology”, s. 482-487.
Lavin, Sylvia: ”Theory into History; or, The Will to Anthology”, s. 494-499.
Kristine Kolruds pensumliste:
Jacobs, Fredrika Herman: Defining the Renaissance virtuosa : women artists and the language of art history and criticism, 1997. Cambridge : Cambridge University Press. Kapittel 5 "La Donnesca Mano", s. 85-122 (+ noter), 37 s..
Jarrard, Alice : Architecture as Performance in Seventeenth-Century Europe. Court Ritual in Modena, Rome, and Paris, 2003. Cambridge. Kap. 1: "The Urban Arena", s. 11-52 (+noter), 42 s..
Kaufmann, Thomas DaCosta : Court, Cloister & City. The Art and Culture of Central Europe 1450 – 1800, 1995. Chicago. Kapittel 7 ”Kunst and the Kunstkammer. Collecting as a Phenomenon of the Renaissance in Central Europe”, s. 167 – 183 (+ noter) og kapittel 8 ”Princely Patronage of the Later Sixteenth and Early Seventeenth Centuries. The Example and Impact of Art at the Court of Rudolf II”, s. 185 – 203 (+ noter), 36 s..
Johnson, Géraldine A. : "Imagining Images of Powerful Women. Maria de’ Medici’s Patronage of Art and Architecture" i Lawrence, Cynthia : Women and art in early modern Europe : patrons, collectors, and connoisseurs, 1997. University Park, Pa. : Pennsylvania State University Press. s. 126 – 153 (+ noter), 28 s..
Totalt 143 s.
Leif Holm Monssens pensumliste
Panofsky, E: "Iconography and Iconology" i Panofsky, E: Meaning in the Visual Arts, 1995. New York. 51-81.
Panofsky, E: "The Concept of Artistic Volition" i http://wgate.bibsys.no/gate1/SHOW?objd=011272449&lang=N&bibk=o, 1981. University of Chicago Press. s. 17-33.
Panofsky, E: "The Neoplatonic Movement and Michelangelo" i Panofsky, E: Studies in Iconology, 1967 (1939). New York : Harper & Row. s. 171-230.
Holly, Michael Ann : Panofsky and the foundations of art history, 1984. Ithaca, N.Y. : Cornell University Press. kapitlene 3-6.
Baxandall, Michael : Patterns of intention : on the historical explanation of pictures, 1985. New Haven, Conn. : Yale University Press.