Pensum merket med # vil være tilgengelig i Fronter.
Leif Holm Monssens pensumliste
# Panofsky, E: "Iconography and Iconology" i Panofsky, E: Meaning in the Visual Arts, 1995. New York. 51-81.
# Panofsky, E: "The Concept of Artistic Volition" i Critical Inquiry, Vol. 8, No. 1,1981. University of Chicago Press. s. 17-33.
# Panofsky, E: "The Neoplatonic Movement and Michelangelo" i Panofsky, E: Studies in Iconology, 1967 (1939). New York : Harper & Row. s. 171-230.
Holly, Michael Ann : Panofsky and the foundations of art history, 1984. Ithaca, N.Y. : Cornell University Press. kapitlene 4-6.
Baxandall, Michael : Patterns of intention : on the historical explanation of pictures, 1985. New Haven, Conn. : Yale University Press. Ikke kap. 3, ellers hele boken.
Ina Bloms pensumliste
Mitchell, W.J.T.: Iconology. Image, Text, Ideology, 1987. The University of Chicago Press: Chicago. 226 p..
# Foucault, Michel: "Las Meninas" i Foucault, Michel: The order of things : an archaeology of the human sciences, 1992. Routledge: London. pp. 3-16.
Lena Liepes pensumliste
Leeds-Hurwitz, Wendy: Semiotics and Communication: Signs, Codes, Culture. Hillsdale N.J., London 1993 (Lawrence Erlbaum Associates, Publishers): kap. I, II (150 s.)
Winther Jørgensen, Marianne, Louise Phillips: Diskursanalyse som teori og metode. Frederiksberg 1999 (Roskilde Universitetsforlag Samfundslitteratur): 216 s.
Bente Larsens pensumliste
# Hans-Georg Gadamer, ”The Ontology of the Work of Art and its Hermeneutical Significance” i Richard Kearney and David Rasmussen (ed.), Continental Aesthetics, Blackwell 2001, s. 321-338
# Nicolas Davey, “The Hermeneutics of Seeing” i Ian Heywood and Barry Sandywell (ed.), Interpreting Visual Culture. Explorations in the Hermeneutics of the Visual, Routhledge 1999, s.3-30
# John Sallis, “The Hermeneutics of the Artwork”, i Günter Figal, Wahrheit und Methode, Adademie Verlag, 2007, s. 45-57
# Maurice Merleau-Ponty, “The Intertwining – The Chiasm” i Clive Cazeaux (ed.), The Continental Aesthetics Reader, Routledge, 2000, s. 164-181
# Luce Irigaray, “The Invisible of the Flesh. A reading of Merleau-POnty, “The Intertwining – The Chiasm”, i Clive Cazeaux (ed.), The Continental Aesthetics Reader, Routledge, 2000, s. 563-583
# Amelia Jones, “Meaning, Identity, Embodiment: The Uses of Merleau-Ponty’s Phenomenology in Art History” i Dana Arnold and Margaret Iversen, Art and Thought, Blackwell, 2003, s. 71-91