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Pensum 4030, høsten 2015
Faglærer: Bente Larsen
Introduksjon
#Roland Barthes: "Cy Twombly: Works on Paper" i The Responsibility of Forms: Critical Essays on Music, Art and Representation, Berkeley 1991. University of California Press. s. 157-175 (18 s.) .
#Susan Sontag: "Against Interpretation" i Against Interpretation and Other Essays: New York, London 1990, Anchor Books Boubleda. s. 3-14 (11 s.).
Ikonologi
Erwin Panofsky, Perspective as Symbolic Form, Cambridge, MIT Press, 1991, 198 s. (Bok kan kjøpes på Akademika).
Historiografi
#Michael Baxandall : Patterns of Intention. On the Historical Explanation of Pictures, Yale, Yale University Press, 1992, s. 1-40. (40 s)
Ikonologi/semiotikk
Mieke Bal, Norman Bryson: "Semiotics and Art History: A Discussusion of Context and Senders" i Donald Preziosi (ed.): The Art of Art History. A Critical Anthology, New Haven, Conn. 2009. Oxford University Press. pp. 243-256. (13 s). (Bok kan kjøpes på Akademika).
#Hans Belting : "Image, Medium, Body: A New Approach to Iconology" i Critical Inquiry 31. 2, Winter 2005. s. 302-319. (17)
Visuel kultur
#Homi K. Bhabha: “Postmodernism/Postcolonialism” i Nelson & Shiff (ed.), Ctitical Terms for Art History, London, The University of Chicago Press, 2003, s. 435-452 (17 s)
#James D. Herbert: “Visual Culture/Visual Studies”, i Nelson & Shiff (ed.), Ctitical Terms for Art History, London, The University of Chicago Press, 2003, s. 452-465 (13 s)
#Nicholas Mirzoeff: “Introduction” i: Nicholas Mirzoeff (ed.), The Visual Culture Reader, London, Routledge, 2012, s.3 – 23 (20)
#Irit Rogoff “Studying Visual Culture” i: Nicholas Mirzoeff (ed.), The Visual Culture Reader, London, Routledge, 2012, s. 24 – 36 (12)
Aby Warburg, “Images from the Region of the Pueblo Indians of North Americ”, The Art of Art History. A Critical Anthology, New Haven, Conn. 2009. Oxford University Press, s. 162-188 (26.)
Edgar Wind, “Warburg’s Concept of Kulturwissenschaft and ist Meaning for Aesthetics“, The Art of Art History. A Critical Anthology, New Haven, Conn. 2009. Oxford University Press, s 189-194 (5 s.)
New Art History
Jonathan Harris, The New Art History. A Critical Introduction”, London, Routledge, 2001, s. 1-126 (Bok kan kjøpes på Akademika)
Feminisme
Mary Kelly: "Re-Writing Modernist Criticism" i Donald Preziosi (ed.): The Art of Art History. A Critical Anthology, New Haven, Conn. 2009. Oxford University Press. s. 352 – 355 (3 s.). (Bok kan kjøpes på Akademika).
Judith Butler: "Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminst Theory" i Donald Preziosi (ed.): The Art of Art History. A Critical Anthology, New Haven, Conn. 2009. Oxford University Press . s. 356-366 (10 s.). (Bok kan kjøpes på Akademika).
#Lisa Cartwright: "Art. Feminism and Visual Culture" i : Ian Heywood and Barry Sandywell: The Handbook of Visual Culture, London, 2012. Berg. ISBN: 311-325, (14 s.).
Betragteren
Margaret Iversen: Alois Riegl: Art History and Theory, Cambridge 1993. MIT Press. (166 s) (Bok kan kjøpes på Akademika)
Hermeneutikk I
# Hans-Georg Gadamer: Sannhet og metode, Oslo, Pax forlag, 2012, s. 132-165 (33 s.)
Hermeneutikk II
#Gottfried Boehm , “Bidrag til en billedets hermeneutik” i: Jørgen Dehs (red.): Æstetiske teorier, Odense Universitetsforlag 1995. s, 181-202. (21 s)
#Gottfried Boehm: "Hinsides språket" i Bente Larsen (red.): Estetik. Sansing, erkjennelse og verk, 2006. Unipub. s. 31-45. (14 s)
#Nicholas Davey, “The hermeneutics of seeing”, i Heywood & Sandywell, Interpreting Visual Culture, London, Routledge, 1999, s. 3 – 30. (27 s)
Postmodernismen
#James D. Faubion, “Introduction” i Faubion & Rabinow, Michel Foucault. Aesthetics, Method, and Epistemology, New York, The New Press, 1994,s. xiii – xliii, (31s)
#Michel Foucault, “Nietzsche, Genealogy, History”, i Faubion & Rabinow, Michel Foucault. Aesthetics, Method, and Epistemology, New York, The New Press, 1994, s. 369-391 (23 s)
Forfattersubjektet
#Barthes, Roland, “The Death of The Author”, i: Image, Music, Text (Red) Heath, Stephen, 1977, ss. 142-148.
#T.J.Clark, “The Conditions of Artistic Creation,” i: Art History and its methods. A crtical anthology. New York, Phaidon, 1995, s. 245-253. (9 s.)
#Michel Foucault, “Hva er en forfatter?”, i Atle Kittang et.al. Moderne litteraturteori. En Antologi. Oslo, Universitetsforlaget, Oslo, s. 2008, 287-302 (13. s.)
Dekonstruktion
Jacques Derrida: «Signature, Event, Context», Margins of Philosophy. (Deles ut i forelesningen).
Blikk og betydning
Georges Didi-Huberman: Confronting Images, The Pennsylvania State University Press, 2005. s.1-51 og 219-271. (120 s) (Bok kan kjøpes på Akademika)
Støttelitteratur
Margaret Iversen and Stephen Melville: Writing Art History. Disciplinary Departures, Chicago 2010. The University of Chicago Press. s. 38-200. (Bok kan kjøpes på Akademika)
#Hans Belting, Art History after Modernism, London, The Unversity of Chicago Press, 2003, s. 3 – 25
Holly, Michael Ann : Panofsky and the foundations of art history, 1985. Ithaca, N.Y. : Cornell University Press. 267 s. (Bok kan kjøpes på Akademika).