Denne litteraturen er pensum for Øyvind Storm Bjerkes del av kurset:
Hans Belting: "The Unwelcome Heritage of modernism: Style and History", Art History after Modernism, 2003. The University of Chicago Press. s. 26-36. (10 s).
Hans Belting: "Methods and Games of an Academic Discipline", Art History after Modernism, 2003. The University of Chicago Press. s. 137-147. (10 s).
Henrik Cornell: "Formens problem", 1928. Almqvist og Wiksell. Opptrykk 1966, s. 36-69. Karakteriseringsproblemet i konstvetenskapen. (50 s).
Henri Focillon: "The worlds of Forms", The Life of Forms in Art, 1989. Zone Books. s. 31-63. (32 s).
Roger Fry : J. B. Bullen (ed): "An Essay in Aesthetics"; "The Artist's Vision", Vision and Design, 1981. Oxford University Press. s. 12-27, s. 33-38. (16 s).
Jonathan Gilmore: "Censorship, Autonomy, and Artistic Form", Art History, Aesthetics, Visual studies, 2002. Clark studies in visual arts, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts. s. 105-121. (16 s).
Gombrich: "Norm and Form, The Stylistic Categories of Art History and their Origins in renaissance ideals", Norm & Form, 1966. Phaidon. s. 81-98. (17 s).
Clement Greenberg: "Avant Garde and Kitsch", Collectet essays, Vol 1; "Towards a Newer Laocoon", Vol 1; "Modernist Painting", Vol 4. The Collected Essays and Criticism Vol 1-4, 1986-1993. The University of Chicago Press. s. 5-22; s. 23-38; s. 85-93. (40 s).
Hal Foster: "Antinomies in Art History", Design and Crime, 2002. Verso, London and New York. s. 83-93. (10 s).
Jonathan Harris: "Pure Formality: 1960s abstract painting", Writing Back to modern Art, 2005. Routledge, London and New York. s. 63-90. (27 s).
Meyer Schapiro: "On Some Problems in the Semiotics of Visual Art: Field and Vehicle in Image Signs"; On Perfection, Coherence and Unity of Form and Content", "Style", Theory and Philosophy of Art: Style, Artists, and Society, 1994. George Graziller Inch, New York. s. 1-102. (102 s).
Laurie Schneider Adam: "Formalism and Style", The Methologies of Art, 1996. Westview Press. s. 16-35. (19 s).
Leo Steinberg: "Preventive Esthetics", Other Criteria, 1972. Oxford University Press. s. 64-91 (27 s).
Heinrich Wölfflin: "Introduction"; "Linnear and Painterly, general Observations", Principles of Art History, 1950. Dover Publications, New York. s. 1-53 (53 s).
Denne litteraturen er pensum for Leif Holm Monssens del av kurset:
Panofsky, E.: a) “The History of Art as a Humanistic Discipline”, b) “Iconography and Iconology, i Panofsky, E: Meaning in the Visual Arts, New York, 1995, s.23-81.
Panofsky, E.: “The Concept of Artistic Volition”, i Critical Inquiry, 1981, s. 17 – 33.
Panofsky, E.: “The Neoplatonic Movement and Michelangelo”, i Panofsky, E.: Studies in Iconology, New York, 1967 (1939).s.171-230.
Holly, M. A.: Panofsky and the Foundations of Art History, London, 1984; kapitlene 3-6.
Baxandall, M.: Patterns of Intention, London, 1985.
Denne litteraturen er pensum for Espen Johnsens del av kurset:
Modernismens stil og historiografi:
Goldhagen, Sarah Williams: “Something to Talk About: Modernism, Discourse, Style.” Journal of the Society of Architectural Historians, volume 64, nr. 2 june 2005, s. 144-167.
Tournikiotis, Panayotis: ”Introduction”, “The Art Historians and the Founding Genealogies of Modern Architecture.” The Historiography of Modern Architecture, MiT Press, 1999 s. 1- 49.
Jarzombek, Mark: “Panayotis Tournikiotis: The Historiography of Modern Architecture.” Journal of the Society of Architectural Historians, volume 60, nr 1 mars 2001, s.107-108.
Referanseverk:
Pevsner, Nikolaus (1936 og nyere utgaver): Pioneers of Modern Design. From William Morris to Walter Gropius . Første utgave: Pioneers of the Modern Movement, Faber & Faber.
Kaufmann, Emil (1933 og senere utgaver): Von Ledoux bis Le Corbusier : Ursprung und Entwicklung der autonomen Architektur. Wien, Rolf Passer.
Metoder og teorier innen nyere arkitekturhistorie:
Journal of the Society of Architectural Historians. Architectural History 1999/2000. Special issue of JSAH, Volume 58, nr.3 September 1999. Her leses:
Introduction Blau, Eve:”Architectural History 1999/2000.A special issue of JSAH”, s. 278-280.
The Academy Payne, Alina A.: “Architectural History and the History of Art: A Suspended Dialogue”, s.292-300.
Friedman, Alice T.: “The Way You Do The Things You Do. Writing the History of Houses and Housing”, s. 406-413.
Groth, Paul: “Making New Connections in Vernacular Architecture”, s. 444-451.
Perspectives and Parameters McPhee, Sarah: “The Architect as Reader”, s. 454-461.
Colomina, Beatriz: “Collaborations. The Private Life of Modern Architecture”, s. 462-471.
Kinney, Leila W: “Fashion and Fabrication in Modern Architecture”, s.471-481.
Vidler, Anthony: ”Technologies of Space/Spaces of Technology”, s. 482-487.
Lavin, Sylvia: ”Theory into History; or, The Will to Anthology”, s. 494-499.
Journal of the Society of Architectural Historians. JSAH, volume 64, nr. 4 December 2005. Her leses:
Learning from Interdisciplinarity (s. 417-440):
Stieber, Nancy:”Introduction”, s.417-418.
Abramson, Daniel M: History:”The Long Eighteenth Century”, s. 419-421.
Harris, Dianne:”Social History: Identity, Performance, Politics and Architectural Histories”, s. 421-423.
Carla, Yanni:”History and Sociology of Science: Interrogating the Spaces of Knowledge”, s. 423-425.
Carpo, Mario:”Architecture: Theory, Interdisciplinarity, and Methodological Eclecticism”, s. 425-427.
Dutta, Arindam: ”Organicism: Inter-Disciplinarity and Para-Architectures”, s. 427-430.
Archer, John: Social ”Theory of Space: Architecture and the Production of Self, Culture and Society”, s. 430-433.
Lipstadt, Hélene:”Sociology: Bourdieu´s Bequest”, s. 433-436.
Wright, Gwendolyn:”Cultural History: Europeans, Americans, and the Meaning of Space”, s. 436-440.