NB! Pensum blir lagt ut i Fronter. Curriculum available in Fronter
Anderson, Benedict: Imagined Communities: Reflections on the Origin and Spread of Nationalism, ( Revised and extended. ed.). London: Verso, 1991.
Aquilino, Marie Jeannine: The Decorating Campaigns at the Salon du Champ-de-Mars and the Salon des Champs-Elysées in the 1890s, Art Journal, Vol. 48, No. 1, Nineteenth-Century French Art Institutions (Spring, 1989), Published by: College Art Association. pp. 78-84. http://www.jstor.org/stable/776924.
Aquilino, Marie Jeannine: Painted Promises: The Politics of Public Art in Late Nineteenth-Century France,” The Art Bulletin, Vol. 75, No. 4 (Dec., 1993) , pp. 697-712. http://www.jstor.org/stable/3045990.
Bätschmann, Oskar and Alice Kennington: Ferdinand Hodler: Historical Painting,” The Journal of Decorative and Propaganda Arts, Vol. 19, Swiss Theme Issue (1993), Published by: Florida International University Board of Trustees on behalf of The Wolfsonian-FIU, pp. 8-23,. http://www.jstor.org/stable/1504100.
Barbar, Robin: Classical Art: Discovery, Research and Presentation, 1890-1930," in Barcelona and Modernity: Picasso, Gaudi, Miro, Dali, 2006. Cleveland Museum of Art and Yale University Press. pp. 391-406.
Benesch, Otto: Hodler, Klimt und Munch als Monumentalmaler." Wallraf-Richartz Jahrbuch, Westdeutsche Jahrbuch für Kunstgeschichte, volume XXIV, 1962. pp 333-358.
Berman, Patricia: Edvard Munch's Peasants and the Invention of Norwegian Culture," in Nordic Identities: Exploring Scandinavian Cultures (ed. Berit I. Brown), Westport, 1997. Ct.: The Greenwood Press. pp 213-223.
Berman, Patricia: Making Family Values: Narratives of Kinship and Peasant Life in Norwegian Nationalism,” in Art, Culture, and National Identity in Fin-de-Siècle Europe, ed. Michelle Facos and Sharon Hirsh, N. Y. 2003. Cambridge University Press. pp 207-228.
Berman, Patricia: Norwegian Nationalism and the Crafts Revival of the 1890s," in Art and the National Dream (ed. Nicola Gordon Bowe), Dublin 1993. The Irish Academic Press. s 155-168.
Bloch, Lucienne: On Location with Diego Rivera: The Making of Rivera’s Rockefeller Center Mural,” Art in America 74 , February 1986.
Braun, Emily: Klimtomania/Klimtophobia,” in Colin B. Bailey, ed., Gustav Klimt: Modernism in the Making, Harry N. Abrams and National Gallery of Canada, Ottawa, 2001. 41-53, 214-216.
Campbell. Bruce: Mexican Murals in times of Crisis, Tucson 2003. University of Arizona Press. ISBN: ISBN 0-8165-2239-1.
Collins, Jeffrey: A Nation of Statues: Museums and Identity in Eighteenth- Century Rome, Architectural Space in Eighteenth-Century Europe, Surrey England 2010. Ashgate. pp 187-214.
Comadira, Narcia: The Forms of Paradise: Noucentista Painting and Sculpture,” in Barcelona and Modernity: Picasso, Gaudi, Miro, Dali, 2006. Cleveland Museum of Art and Yale University Press. pp 249-265.
Daviau, Donald G: Hermann Bahr and Gustav Klimt: A Chapter in the Breakthrough of Modernity in Turn-of-the-Century Vienna,” German Studies Review, Vol. 3, No. 1 , Feb., 1980. Published by: German Studies Association. pp. 27-49. http://www.jstor.org/stable/1429482.
Elliott, Patrick: Sculpture in France and Classicism, 1910-1939," in On Classic Ground: Picasso, Leger, de Chirico and the New Classicism 1910-1930, London, 1990. Tate Gallery. pp 283-295.
Elson, Albert: The Gates of Hell’ by Auguste Rodin, 1985. Stanford University Press.
Facos, Michelle: Educating a Nation of Patriots: Mural Paintings in Turn of the Century Swedish Schools,” in Art, Culture, and National Identity in Fin-de-Siècle Europe, ed. Michelle Facos and Sharon Hirsh, N. Y 2003. Cambridge University Press. pp 229-249.
Groom, Gloria: Coming of Age: Patrons and Projects, 1890-99,” in Gloria Groom, Beyond the Easel: Decorative Painting By Bonnard, Vuillard, Denis, and Roussel 1890-1930, 2001. The Art Institute of Chicago. s 31-57.
Guth, Doris: That is not a sign of the times, it is a sign of extravagance: The Scandal Surrounding Gustav Klimt’s Faculty Paintings,” in Tobias G. Natter and Max Hollein, eds. The Naked Truth: Klimt, Schiele, Kokoschka, and Other Scandals, (exh. cat.), Munich 2005. Prestel Verlag and Schirn Kunsthalle Frankfurt and Leopold Musuem.
Andrew Hemingway: Communist Artists and the New Deal (1),” in Andrew Hemingway, Artists on the Left , Yale: 2002. pp. 75-100.
Hirsh, Sharon: Swiss Art and National Identity at the Turn of the Twentieth Century” in Art, Culture, and National Identity in Fin-de-Siècle Europe, ed. Michelle Facos and Sharon Hirsh, N. Y 2003. Cambridge University Press. pp. 250-285.
Hutton, John: Picking Fruit: Mary Cassatt's "Modern Woman" and the Woman's Building of 1893,”Feminist Studies" Vol.20, No.2, Women´s Agency: Empowerment and the Limits of Resistance (summer, 1994), Published by: Feminist Studies, Inc. pp. 318-348. http://www.jstor.org/stable/317815, http://www.jstor.org/stable/3178155?&Search=yes&term=pavilion&term=mary&term=cassatt&term=women%27s&list=hide&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dmary%2Bcassatt%2Bwomen%2527s%2Bpavilion%26gw%3Djtx%26acc%3Don%26prq%3Dsally%2Bstein%26hp%3D25%26wc%3Don&item=1&ttl=56&returnArticleService=showFullText.
Linsley, Robert: Utopia Will Not be Televised: Rivera at Rockefeller Center,” Oxford Art Journal 17 (1994) Oxford Art Journal Vol. 17, No. 2 , 1994. Published by: Oxford University Press http://www.jstor.org/stable/1360574. pp. 48-62. http://www.jstor.org/stable/1360574.
Lowenthal, David: How we Know the Past” [Chapter 5], in The Past is a Foreign Country, 1995. Cambridge University Press [1985]. pp 185-259.
Lubar, Robert S: Cubism, Classicism, and Ideology: The 1912 Exposicio' d'Art Cubista in Barcelona and French Cubist Tradition," in Barcelona and Modernity: Picasso, Gaudi, Miro, Dali, 2006. Cleveland Museum of Art and Yale University Press. pp 309-323.
Marlowe-Storkovich, Tina: Medicine" by Gustav Klimt,” Artibus et Historiae, Vol. 24, No. 47 , 2003. Published by: IRSA s.c.. pp. 231-252. http://www.jstor.org/stable/1483769.
Mitchell, W. J. T: Introduction: Utopia and Critique,” in Art and the Public Sphere , Chicago: 1992. pp. 1-5.
Morris, William: How we Live and How we Might Live,” [1887] in The Fin de Siècle: A Reader in Cultural History c. 1880-1900, ed. Sally Ledger and Roger Luckhurst, 2000. Oxford University Press. pp 175-180.
Munch, Edvard: Munchs Forklaring til Utkastene,” in Konkurransen om den Kunstneriske Utsmykning av Universitetets Nye Festsal, dated August 1, 1911,
Nora, Pierre: Between Memory and History: Les Lieux de Mémoire,” Representations, No. 26, Special Issue: Memory and Counter-Memory , Spring, 1989. Published by: University of California Press. pp. 7-24 . http://www.jstor.org/stable/2928520.
Parigoris, Alexandra: Pastiche and the Use of Tradition, 1917-1922," in Barcelona and Modernity: Picasso, Gaudi, Miro, Dali, 2006. Cleveland Museum of Art and Yale University Press. pp 296-308.
Riegl, Alois: Der moderne Denkmalkultus, sein Wesen, seine Entstehung , Vienna, 1903 Tr. K. W. Forster and D. Ghirardo, “The modern cult of monuments: its character and origin,” Oppositions 25 (1982), . pp 21-50.
Rivera, Diego: The Revolutionary Spirit in Modern Art," Modern Quarterly 6 , Autumn 1932.
Robinson, William H. and Carmen Belen Lord: Introduction,” Barcelona and Modernity: Picasso, Gaudí, Miro, Dalí, , 2006. Cleveland Museum of Art and Yale University Press. pp 2-26.
Schapiro, David: The Social Bases of Art,” in David Shapiro, ed., Social Realism: Art as a Weapon , New York: 1973. pp. 118-27.
Shaw, Jennifer L: Dream States: Puvis de Chavannes, Modernism, and the Fantasy of France, New Haven: Yale University Press. 2002.
Shaw, Jennifer L: Imagining the Motherland: Puvis de Chavannes, Modernism, and the Fantasy of France,” The Art Bulletin Vol. 79, No. 4 , Dec. 1997. pp. 586-610 . http://www.jstor.org/stable/3046277.
Debora L. Silverman: Introduction” and Chapter 6: “The Central Union of the Decorative Arts,” in Art Nouveau in Fin-de-Siècle France: Politics, Psychology, and Style, 1989. pp 1-13, 109-133, 315-317, and 339-344.
Suarez, Alicia and Merce Vidal: Catalan Noucentisme, the Mediterranean, and Tradition,” in Barcelona and Modernity: Picasso, Gaudi, Miro, Dali, 2006. Cleveland Museum of Art and Yale University Press. pp 226-232.
Sund, Judy: Columbus and Columbia in Chicago, 1893 : Man of Genius Meets Generic Woman,” The Art Bulletin Vol. 75, No. 3 (Sep. 1993). Published by: College Art Association . pp. 443-466. http://www.jstor.org/stable/3045968.
Vergo, Peter: Between Modernism and Tradition: The Importance of Klimt’s Murals and Figure Paintings,” in Colin B. Bailey, ed., Gustav Klimt: Modernism in the Making, Harry N. Abrams and National Gallery of Canada, Ottawa, 2001. pp 19-39, 212-213.
Wagner, Anne Middleton: Art and Propriety,” in Jean-Baptiste Carpeaux. Sculptor of the Second Empire, 1986. New Haven: Yale University Press. pp 209-244 and 300-206.
Watkins, Nicolas: The Genesis of a Decorative Aesthetic,” in Gloria Groom, Beyond the Easel: Decorative Painting By Bonnard, Vuillard, Denis, and Roussel, 1890-1930, 2001. The Art Institute of Chicago. pp. 1-28.
Woll, Gerd: Monumental Projects, 1909-1930, Lillehammer Kunstmuseum. 1993.
Young, James E: Monument/Memory,” in Critical Terms for Art History, ed. Robert S. Nelson and Richard Shiff, 1996. The University of Chicago Press. pp 234-247.
NB! Da det viser seg at endel av bøkene ikke lar seg skaffe fra forlagene vil oversikten over bokpensumet nedenfor oppdateres snarlig)
Bøker. Books
Askeland, Jan: Freskoepoken, : Studier i profant norsk monumentalmaleri 1918-1950, Oslo, 1965. Gyldendal Norsk Forlag. s. 15-41 og 227-288.
Grønvold, Ulf, Nils Anker, and Gunnar Sørensen: The City Hall in Oslo, Oslo, 2000. Aschehoug & Co..
Bøker - Tilleggslitteratur. Books - supplementary reading
Munthe, Gerhard: Minder og meninger: fra 1850-Aarene til nu, Kristiania, 1919. Alb. Cammermeyers Forlag.
Sørensen, Gunnar: Fargelegg byen! Oslo kommunes utsmykninger, Oslo, 2009. Oslo kommune and Unipub.
Wikborg, Tone: Gustav Vigeland: En biografi, Oslo, 2001. Gyldendal.