Litteratur:
Clarke, Graham: The Photograph, 1997. Oxford History of Art. (246 s. III).
Wells, Liz (ed.): Photography, A Critical introduction , [1997], 2002. Routledge. (384 s. III.) 2nd. ed..
Wells, Liz: The Photography Reader, 2003. Routledge.
Kompendium (292 s. III):
B. Newhall (ed.): Photography: Essay & Images, 1980, New York. The Museum of Modern Art. (I alt 65 s.).
Baudelaire, Charles: Photography, 1859. Newhall. s. 112-113 (2 s.).
Robinson, Henry Peach: Oscar Gustav Rejlander, Anthony's Photographic Bulletin 21, February 22., 1890, s. 107-110. Newhall 1980, s. 105-107 (3 s.).
Emerson, Peter Henry: Photography, a Pictorial Art, The Amateur Photographer 3, March 19, 1986. s. 138-139 (4 s.).
Stieglitz, Alfred: Pictorial photography, Scribner's Magazine 26, November 1899. Newhall 1980. s. 163-166 (4 s.).
Juhl, Ernst: Eduard Steichen, Die Photographiche Rundschau 16, July 1902, s. 127-129. transl. Baumont Newhall, Newhall 1980. s. 173-176 (4 s.).
Evans, Fredrick H.: On Pure Photography, The Photographic Journal 59, April 30, 1900, s. 236-241. Newhall, 1980. s. 177-184 (8 s.).
Hartmann, Sadakichi: A Plea for Straight Photography, American Amateur Photographer 16, March 1904, s. 101-109, Newhall 1980. s. 185-188 (4 s.).
Coburn, Alvin Langdon: The Future of Pictorial Photography, Photograms of the Year 1916, s. 23-24. Newhall 1980. s. 205-207 (3 s.).
Rosenfeld, Paul: Stieglitz, The Dial 70, April 1921, s. 397-409. Newhall 1980. s. 209-218 (10 s.).
Strand, Paul: Photography, Seven Arts 2, August 1917, s. 524-25. Newhall 1980. s. 219-220 (2 s.).
Weston, Edvard: Random Notes on Photography, Newhall 1980. s. 223-227 (5 s.).
Desnos, Robert: The Work of Man Ray, 1929. s. 228-230 (3 s.).
Moholo-Nagy, Laszlo: The Future of the Photographic Process, 1929. s. 239-241 (3 s.).
Newhall, Nancy Brassaï: "I Invent NOthing, I Imagine everything", 1952. s. 277-281 (5 s.).
Beaumont Newhall: Vision Plus the Camera: Henri Cartier-Bresson , 1946, s. 283-287. (5 s.).
Aron Scharf: Art and Photography, Allan Lane The Penguin Press, London 1968. Manet, s.40-49, Delacroix and Photography, s. 89-94, The dilemma of Realism, s. 95-107 (23 s.).
Walter Benjamin: "Liten fotografihistorie" til norsk og trykt i T. Karlsen ed.: WalterBenjamin, Gyldendals Fakkel bøker, 1975, s. 65-79. (15s.).
Galassi, Peter: Before Photography, Painting and the Invention of Photography, The Museum of Modern Art, New york, 1981, s. 11-31 (21 s.).
Owens, Craig: Phtography en abyme, Beyond Recognition, Representation, Power,and Culture, University of California Press, 1992, s. 16-30. (15s.).
Solomon-Godeau, Abigail:"Photography After Art Photograpy", i Art after Modernism: ed. B. Wallis,: Rethinking Representation, The New Museum of Contemporary Art, New York, 1984, s. 75-85. (11s.). .
Crimp, Douglas: "Photographs at the end of Modernism; The Museum´s Old, the Library´s New Subject": On the Museum´s Ruins, The MIT Press, 1993, s. ; 66-83.
Krauss, Rosalind E.: "The Photographic Conditions of Surrealism; Photography´s Discursive Space" : The Originality of the Avant-Garde and Other Modernist Myths, The MIT Press, 1985, s. 87-118; 131-150. (52s.)
Wilém Flusser: Für eine Philosophie der Fotografie, 183, kap. VIII; Das fotografische Universum. (6.s.).
Bazin, André: Ontologie des Fotografischen Bildes, 1945.
Kracauer, Siegfried: Die Fotografie, 1927, (12 s.); Das Ästhetische Grundprinzip der Fotografie (1960), (8 s.):
Arnheim, Rudholf: Über die natur der Fotografie , 1974. (10 s.).
Fra L. Wells (ed): the Photgraphy Reader, Routledge, 2003. (42 s.): Roland Barhtes: Extracts from Camera Lucida, s. 19-30 (12 s. ); Roland Barthes: Rhetoric of the image, s. 114-125 (12 s.); Victor Burgin: Looking at Photographs, s. 130-37 (8 s.); Allan Sekula: reading an Archive; Photography between labour and capital, s. 443-452 (10 s.).
Totalt pensum: 922 s. inkl. ill.