Obligatorisk pensum er på ca. 830 sider inkludert illustrasjoner. I tillegg er det satt opp anbefalt litteratur for de studentene som ønsker å fordype seg mer. Dette er aktuelt for MA-studenter som skriver om 1800-tallets kunst og for BA-studenter som sikter på å skrive en masteroppgave om periodens kunst eller kursets tematikk.
GENERELL TEORI
Baudelaire, Charles. Kunsten og det moderne liv. (Oslo: Solum, 2000), 101-121. Link: http://urn.nb.no/URN:NBN:no-nb_digibok_2008110704139
Davis, Whitney. “Gender.” I: Critical Terms for Art History, 2. utg., red. Robert Nelson og Richard Shiff. (Chicago: University of Chicago Press, 2003), 330-344. [KOMPENDIUM]
Davis, Whitney. “Sexuality”. I: Encyclopedia of Aesthetics (2 ed.), red. Michael Kelly (Oxford University Press, 2014): http://www.oxfordreference.com/view/10.1093/acref/9780199747108.001.0001/acref-9780199747108-e-663?rskey=OZ3psR&result=1
Foucault, Michel. Seksualitetens historie 1: Vilje til viten. (Oslo: Exil, 2001). (170 s.).Link: http://www.nb.no/nbsok/nb/d36c5e22ca1c2c66ce9b29e2be17475e?index=2#63
Anbefalt
Brand, Felski og Price: «Feminism». I: Encyclopedia of Aesthetics (2 ed.), red. Michael Kelly (Oxford University Press, 2014): http://www.oxfordreference.com/view/10.1093/acref/9780199747108.001.0001/acref-9780199747108-e-291?rskey=OZ3psR&result=7
Freud, Sigmund. Seksualteorien. (Oslo: Cappelen, 1966). (111 s). Link: http://urn.nb.no/URN:NBN:no-nb_digibok_2013061108106
Shelton, Andrew Carrington. “Masculinity”. I: Encyclopedia of Aesthetics (2 ed.), red. Michael Kelly (Oxford University Press, 2014): http://www.oxfordreference.com/view/10.1093/acref/9780199747108.001.0001/acref-9780199747108-e-484?rskey=OZ3psR&result=2
1. ROKOKKO
Duncan, Carol. "Happy Mothers and Other New Ideas in French Art”. I: The Art Bulletin 55 (4), (1973): 570-583. Link: http://www.jstor.org/stable/3049164
Lajer-Burcharth, Ewa. “Fragonard in Detail.” differences: A Journal of Feminist Cultural Studies 14 (3), (2003): 34-56. Last ned selv: https://muse.jhu.edu/article/50605
Lajer-Burcharth, Ewa. “Pompadour’s Touch: Difference in Representation”. I: Representations 73 (1). (2001): 54-88. Last ned selv: http://www.jstor.org/stable/10.1525/rep.2001.73.1.54
2. NYKLASSISISME
Crow, Thomas. “A male republic: bonds between men in the art and life of Jacques-Louis David.” I: Femininity and masculinity in eighteenth-century art and culture, red. Gill Perry og Michael Rossington. (Manchester: Manchester University Press, 1994), 204-218. [KOMPENDIUM]
Crow, Thomas. “Observations on Style and History in French Painting of the Male Nude, 1785-1794”. I: Visual Culture. Images and Interpretations. Red. Bryson et al. (Hanover: Wesleyan University Press, 1994), 141-167. [KOMPEDIUM]
Davis, Whitney. “The Renunciation of Reaction in Girodet’s Sleep of Endymion.” I: Visual Culture. Images and Interpretations. Red. Bryson et al. (Hanover: Wesleyan University Press, 1994), 168-201. [KOMPENDIUM]
Ockman, Carol. “Profiling Homoeroticism. Ingres’s Achilles Receiving the Ambassadors of Agamemnon.” I: The Art Bulletin 75 (2), (1993): 259-274. Link: http://www.jstor.org/stable/3045948
Anbefalt:
Grigsby, Darcy Grimaldo. “Nudity à la grecque in 1799.” I: The Art Bulletin 80 (2), (1998): 311-335. Link: http://www.jstor.org/stable/3051235
Solomon-Godeau, Abigail. “The Other Side of Vertu: Alternative Masculinities in the Crucible of Revolution”. I Art Journal 56, nr. 2 (1997): 55-61. Link: http://www.jstor.org/stable/777679
3. ROMANTIKKEN
Grigsby, Darcy Grimaldo. “'Whose colour was not black nor white nor grey, but an extraneous mixture, which no pen can trace, although perhaps the pencil may': Aspasie and Delacroix's Massacres of Chios.” I: Art History 22 (5), (1999): 676-704. Link: http://onlinelibrary.wiley.com/doi/10.1111/1467-8365.00182/epdf
Nochlin, Linda. “Géricault, or the Absence of Women.” I: October 68 (1994): 45-59. Link: http://www.jstor.org/stable/778696
4. REALISME
Armstrong, Carol. “Facturing Femininity: Manet’s ‘Before the Mirror’”. I: October 74 (1995): 74-104. Link: http://www.jstor.org/stable/778821
Clark, Timothy J. “Preliminary to a Possible Treatment of ‘Olympia’ in 1865”. I: Art in Modern Culture: An Anthology of Critical Texts, red. Francis Frascina og Jonathan Harris (New York: HarperCollins, 1992), 105-120. [KOMPENDIUM]
Grigsby, Darcy Grimaldo. «Still Thinking about Olympia’s Maid.» The Art Bulletin 97 (4), (2015): 430-451. Link: http://dx.doi.org/10.1080/00043079.2015.1014753
Sjåstad, Øystein. «Blikkene i politilegens venteværelse.» I: Kunst og Kultur 95 (3), (2012): 154-163. Link: https://www.idunn.no/kk/2012/03/blikkene_i_politilegens_ventevaerelse
5. IMPRESJONISME OG FEMINISME
Pollock, Griselda. “Modernity and the Spaces of Femininity.” I: The Expanding Discourse. Feminism and Art History, red. Norma Broude og Mary D. Garrad. (New York: HarperCollins, 1992), 245-267. [KOMPENDIUM]
Garb, Tamar. “Berthe Morisot and the Feminizing of Impressionism.” I: Perspectives on Morisot. Red. T.J. Edelstein. New York: Hudson Hill Press, 1990, 57-66. [KOMPENDIUM]
Anbefalt:
Garb, Tamar. “’L’art féminin’: The Formation of a Critical Category in late Nineteenth-Century France”. I: Art History 12 (1), (1989): 39-65. Link: http://onlinelibrary.wiley.com/doi/10.1111/j.1467-8365.1989.tb00336.x/abstract
Garb, Tamar. “Renoir and the Natural Woman.” I: Oxford Art Journal 8 (2), (1985): 3-15. Link: http://www.jstor.org/stable/1360398
Wolff, Janet. “The Invisible Flâneuse: Women and the Literature of Modernity.” I: Theory, Culture & Society 2 (3), (1985): 37-46. Link: http://tcs.sagepub.com/content/2/3/37.full.pdf+html
6. DEGAS
Broude, Norma. “Degas’ ‘Misogyny’”. I: Art Bulletin 59 (1), (1977): 95-107. Link: http://www.jstor.org/stable/3049600
Lipton, Eunice. “Images of Laundresses. Social and Sexual Ambicalence”. I: Looking into Degas. Uneasy Images of Women and Modern Life. (Berkeley: University of California Press, 1986), 116-150. [KOMPENDIUM]
7. POST-IMPRESJONISME
Clark, T.J. “Freud’s Cézanne.” I: Representations 52 (1995): 94-122. Link: http://www.jstor.org/stable/2928701
Eisenman, Stephen F. ”Sex in Tahiti.“ I: Gauguin’s Skirt. (London: Thames & Hudson, 1997), 91-147. [KOMPENDIUM]
Garb, Tamar. “Visuality and Sexuality in Cézanne’s Late Bathers.” I: Oxford Art Journal 19 (2), (1996): 46-60. Link: http://www.jstor.org/stable/1360728
Nochlin, Linda. ”Body Politics: Seurat’s Poseuses.” I: Representing Women. (London: Thames & Hudson, 1999), 217-237. [KOMPENDIUM]
Nochlin, Linda. “Seurat’s Grande Jatte: An Anti-Utopian Allegory.” I: Art Instute of Chicago Museum Studies 14 (2), (1989): 233-242. Link: http://www.jstor.org/stable/pdf/4108747.pdf
Solomon-Godeau, Abigail, “Going Native.” I: Race-ing Art History, red. Kymerly N. Pinder (New York: Routledge, 2002), 139-153. [KOMPENDIUM]
8. MASKULINITETER
Berman, Patricia. “Bodies of Uncertainty: Edvard Munch’s ‘New Men’ in the 1890s”, i Edvard Munch. An Anthology, red. Erik Mørstad (Oslo: Unipub, 2006), 121-140. [KOMPENDIUM]
Berman, Patricia G. “Edvard Munch's 'Self-Portrait with Cigarette:' smoking and the Bohemian persona.” I: The Art Bulletin 75 (4), (1993): 627-646. Link: http://www.jstor.org/stable/3045987
Berman, Patricia G. “Mens Sana in Corpore Sano: Munchs vitale kropper”, i Livskraft. Vitalismen som kunstnerisk impuls 1900-1930, red. Karen E. Lerheim og Ingebjørg Ydstie (Oslo: Labyrinth og Munch-museet, 2006), 45-60. [KOMPENDIUM]
Brummer, Hans Henrik. “Blå skymning och atleter.” Konsthistorisk tidsskrift/Journal of Art History 68 (2), (1999): 65-79. Link: http://www.tandfonline.com/doi/pdf/10.1080/00233609908604483?needAccess=true
Garb, Tamar. “Gustave Caillebotte’s Male Figures: Masculinity, Muscularity and Modernity”. I: Bodies of Modernity. Figures and Flesh in Fin-de-Siècle France. London: Thames and Hudson, 1998, 25-53. [KOMPENDIUM]
Steorn, Patrik. “Eugène Jansson och den svenska konsthistoriens sexualitet.” I: Lambda nordica 12, (2007): 61-71. Link: http://www.lambdanordica.se/wp-content/uploads/2011/11/2007-3-Steorn-Jansson.pdf