Modernismen
Litteratur med * er ligger på Canvas
- Adorno, Th.W. “Fremskridt” I H.J.Schanz (red.), Th.W.Adorno – og det æstetisk moderne, Århus: Modtryk, 1985, 24-44.*
- Walter Benjamin, Charles Baudelaire. A Lyric Poet In The Area Of High Capitalism, London: Verso, 1985, 11- 66.*
- J.M. Bernstein, Against voluptuous Bodies, Stanford: Stanford University Press, 2006, 1-19 og 46 - 117 (Kan kjøpes på Akademika)
- T.J.Clark, The Painting of Modern Life. Paris in the Art of Manet and his Followers, New York: Thames and Hudson, 1999, 79 – 204. (Kan kjøpes på Akademika)
- Michel Foucault: Manet and the Object of Painting, Tate Publishing, 2009.*
- Michael Fried, Courbet’s Realism, London: The University of Chicago Press, 1990, 85-110.*
- Oleg Gelikman, “”This new evolution of art”. Adorno’s modernism as a re-orientation of aesthetics” i Stephen Ross, Modernism and Theory, London: Routhledge, 2009, 156-174*
- Clement Greenberg, The Collected Essays and Criticism. Vol 4, London: University of Chicago Press, 1993, 3-11.*
- Clement Greenberg, Den Modernistiske kunsten, Oslo: Pax Forlag, 2004, 7-65 og 141 – 156.*
- Tag Gronberg, “Dumbshows: A Carefully Staged Indifference”, i Bradford R. Collins, 12 Views of Manet’s Bar”, Princeton: Princeton University Press, 1996, 198-213.*
- Charles Harrison, «Modernism» i Robert S. Nelson, Richard Shiff (ed.), Critical Terms for Art History, Chigago: The University of Chicago Press, 2003, pp 188-201.*
- Martin Jay: Downcast Eyes. The Denigration of Vision in Twentieth-century French Thought, Berkeley: University of California Press, 1995, 149-209 og 111- 147.*
- Rosalind Krauss, “The Motivation of the Sign”, i William Rubin et al, Picasso and Braque. A Symposium, New York: The Museum of Modern Art, 1992, pp. 261 – 304.*
- Felix Krämer, Monet and the Birth of Impressionism, London: Prestel, 2015, 13 – 36, 47-56, 97 – 115 og 155-169. *
- Stéphane Mallarmé, “The Impressionists and Edouard Manet”, I Francis Frascina and Charles Harrison, Modern Art and Minimalism: A Critical Anthology, London: Harper & Row, Publishers, 1982, 39-44.*
- Bente Larsen: “Blik og modernitet. Om Èduard Manets L’Exposition Universelle de 1867, i Kunst og Kultur, Oslo: Universitetsforlaget 2012, pp 138-46 (Finnes på Internet).
- Linda Nochlin, Politics of Vision, New York: Harper & Row, publishers, 1991, 1 – 33, 75-95 og 170-194.(Kan kjøpes på Akademika)
- Linda Nochlin: The Body in Pieces. The Fragment as a Metaphor of Modernity, London: Thames and Hudson, 1994.*
- Linda Nochlin, Courbet, London: Thames & Hudson, 2007, 19-28 og 109 – 115.*
- Griselda Pollock, Vision and Difference. Feminism, femininity and the histories of art, London: Routhledge, 1988, 70 – 129.*
- Paul Hayes Tucker: Monet in the 90’s. The Series Paintings, Boston: Museum of Fine Arts, 1989, 115-201.*
- Emile Zola, “Edouard Manet”, i Francis Frascina and Charles Harrison, Modern Art and Minimalism: A Critical Anthology, London: Harper & Row, Publishers, 1982, 29-38 *
Ekstra:
Christopher Butler: «The dynamics of change», «The development of a Modernist Aesthetic. New languages for Painting and Music” i Early Modernism. Literatur, Music and Painting in Europe 1900-1916, Oxford: Clarendon Press, 1994, 1-89 (Kan kjøpes på Akademika)