BØKER
BRAUDY, LEO OG MARSHALL COHEN (2009) Film Theory and Criticism, 7th ed., Oxford: Oxford University Press, s. 41-53 (Bazin), 65-77 (Metz), 141-166 (Kracauer, Bazin), 247-261 (Panofsky), 282-291 (Arnheim), 345-355 (Bazin), 418-444 (Wollen, Bordwell), 602-616 (Williams), 649-657 (Bordwell), 686-693 (Comolli og Narboni) og 711-722 (Mulvey).
STAM, ROBERT (2000) Film theory: An introduction, Oxford: Blackwell Publishers, s. 72-381
KOMPENDIUM I
CASETTI, FRANCESCO (1999) Theories of Cinema 1945-1995 (overs. Francesca Chiostri, Elizabeth Bartolini-Salimbeni og Thomas Kelso), Austin: University of Texas Press
KOMPENDIUM II
KJØRUP, SØREN (1992) “Filmteoriens utvikling – en meget kort oversikt”, i Z, nummer 1, s. 21-26
JØRHOLT, EVA (1995) “Indledning. Hovedlinjer i de sidste 25 års filmteori og -analysepraksis”, i Eva Jørholt (red.) Ind i filmen, København: Medusa, s. 7-42
HENDERSON, BRIAN (1971) “Two Types of Film Theory?”, i Film Quarterly, volum 24, nummer 3, s. 33-42
PLANTINGA, CARL (1993) “Film Theory and Aesthetics: Notes on a Schism”, i The Journal of Aesthetics and Art Criticism, volum 51, nummer 3, s. 445-454
BORDWELL, DAVID (1996) “Contemporary Film Studies and the Vicissitudes of Grand Theory”, i David Bordwell og Noel Carroll (red.) Post-Theory. Reconstructing Film Studies, Madison: The University of Wisconsin Press, s. 3-36
– (2008) “Poetics of Cinema”, i David Bordwell Poetics of Cinema, New York: Routledge, s. 11-55
CARROLL, NOEL (1996) “Prospects for Film Theory: A Personal Assessment”, i David Bordwell og Noel Carroll (red.) Post-Theory. Reconstructing Film Studies, Madison: The University of Wisconsin Press, s. 37-68
BRANSTON, GILL (2000) “Why theory?”, i Christine Gledhill og Linda Williams (red.)Reinventing Film Studies, London: Hodder Arnold, s. 18-33 NICHOLS, BILL (2000) “Film theory and the revolt against master narratives”, i Christine Gledhill og Linda Williams (red.) Reinventing Film Studies, London: Hodder Arnold, s. 34-52
BUCKLAND, WARREN (1999) “Film Semiotics”, i Toby Miller og Robert Stam (red.) A Companion to Film Theory, Oxford: Blackwell Publishing, s. 84-104
CURRIE, GREGORY (1999) “Cognitivism”, i Toby Miller og Robert Stam (red.) A Companion to Film Theory, Oxford: Blackwell Publishing, s. 105-122
ALLEN, RICHARD (1999) “Psychoanalytic Film Theory”, i Toby Miller og Robert Stam (red.) A Companion to Film Theory, Oxford: Blackwell Publishing, s. 123-145
LEIFER, ANDERS (1998) “Den oplevede film. Fænomenologien og filmteorien”, i Kosmorama. De nye filmteorier, nummer 221, s. 82-95
JERSLEV, ANNE (1998) “Når køn gør en filmisk forskel. Fra feministisk filmteori til teorier om film og køn”, i Kosmorama. De nye filmteorier, nummer 221, s. 62-80
MULVEY, LAURA (1993) “Afterthoughts on `Visual Pleasure and Narrative Cinema´ inspired by King Vidor´s Duel in the Sun (1946)”, i Anthony Easthope (red.) Contemporary Film Theory, London: Longman, s. 125-134
ANDERSSON, ROY (2001) “Människan och rummet”, i Forum AID, s. 20