Bøker / verk
Théberge, Paul (1997) Any Sound You Can Imagine. Making Music/Consuming Technology. Hanover & London: University Press of New England. (266 sider)
Bull, Michael (2000) Sounding out the city: personal stereos and the management of everyday life. Oxford: Berg. (195 sider)
Jones, Steve (1992) Rock Formation. Music, Technology, and Mass Communication. Newbury Park, California: SAGE publications. (208 sider)
Gripsrud (red.) Populærmusikken i kulturpolitikken. Oslo: Norsk kulturråd. (200 sider utdrag. Ikke bidragene til Simonsen, Brandstad, Berkaak og Gripsrud)
Gracyk, Theodore (1996) Rhythm and noise: an aesthetics of rock. Durham, N.C.: Duke University Press. (199 sider, Ikke kapittel 7 og 8)
Brown, Royal S. (1994) Overtones and undertones: reading film music. Berkeley: University of California Press. (280 sider, side 1-267 og 353-366)
Jensen, Kåre (2004) Lyden av cool: en studie av popmusikk i filmen (pdf-dokument). Hovedoppgave ved Institutt for medier og kommunikasjon, UIO. (103 sider). 1451 sider fra bøker (hele og utdrag).
Pensum i kompendium
Adorno, Theodor W. (1979 [1939?]) "Om populärmusik", i Kritisk teori : en introduktion - Theodor W. Adorno ... [et al.] ; redaktör: John Burill
Benjamin, Walter (1991 [1936]) "Kunstverket i reproduksjonsalderen", in Kunstverket i reproduksjonsalderen. Oslo: Gyldendal
Barnes, Ken (1990) "Top 40 Radio: A Fragment of the Imagination", in Simon Frith (ed.) Facing the music : essyas on pop, rock and culture. London: Mandarin. S. 8-50
Björnberg, Alf (1994) "Structural Relationships of Music and Images in Music Video", in Popular Music vol. 13 no. 1, pp. 51-74.
Danielsen: Public Enemy (upublisert manuskript)
Danielsen, Anne (1997) "His Name Was Prince: A Study of Diamonds and Pearls", in Popular Music vol. 16 no. 3, pp. 275-291.
Frith, Simon (1986) "Art versus technology: the strange case of popular music", in Media, Culture & Society vol. 8, pp. 263-279.
Frith, Simon (1988) "The Pleasures of the Hearth: The Making of BBC Light Entertainment", in Simon Frith (ed.) Music for pleasure. London: Polity Press.
Frith, Simon (1988) "The Real Thing - Bruce Springsteen", in Simon Frith (ed.) Music for pleasure. London: Polity Press.
Frith, Simon (2002) "Look! Hear! The uneasy relationship of music and television", in Popular Music vol. 21 no. 3, pp. 277-290.
Frith, Simon (1990) "Video Pop: Picking Up the Pieces", in Simon Frith (ed.) Facing the music : essyas on pop, rock and culture. London: Mandarin. S. 88-130
Jones, Steve (2000) "Music and the Internet", in Popular Music vol. 19 no. 2, pp. 217-230.
Jones, Steve (2002) "Music that moves: Popular Music, Distribution and Network Technologies", in Cultural Studies vol. 16 no. 2, pp. 213-232.
McCourt, Tom & Patrick Burkart (2003) "When creators, corporations and consumers collide: Napster and the development of on-line music distribution", in Media, Culture & Society vol. 25 no. 3, pp. 333-350.
Brownrigg, Mark and Peter Meech (2002) "From Fanfare to Funfair: The Changing Sound World of UK Television Idents", in Popular Music vol. 21 no. 3, pp. 345-355.
Larsen, Peter (1988) "Musik og TV-fiktion, eller hvad bestiller Jan Hammer egentlig i Miami?", i MedieKultur nr. 9, s. 50-69.
Maasø, Arnt (2001) "'This Goes to Eleven': 'High' and 'Low' Sound in Television", in Staffan Ericson & Espen Ytreberg (eds.) Fjernsyn mellom høy og lav kultur. Kristiansand: Høgskoleforlaget.
Samlet pensum i kompendium: 373 sider.
Samlet pensum på hele modulen er 1824 sider.