Aksnes, Hallgjerd: Music and its Resonating Body, 2002. Dansk årbog for musikforskning 2001. vol. XXIX, s. 81-101.
Branigan, E: Sound, epistemology, film, In: Allen & Smith (eds). Film theory and philosophy. s 95 - 113. http://www.filmstudies.ucsb.edu/people/professors/branigan/.
Calvert, Brammer & Iversen: Crossmodal identification, 1998. Trends in cognitive science. Vol 2, No 7, s 247 - 253. Fulltekst.
Chion, M: Audio-vision, 1994. Kap 1, s 3 - 25.
Cook, Perry R. (red.): Music, Cognition, and Computerized Sound, 1999. MIT Press. kap. 1-3, 7, 10, 15.
Godøy, Rolf Inge: Totalitet og intensjonalitet i Pierre Schaeffers musikkteori, 1984. Studia Musicologica Norvegica. s. 119-141.
Godøy, Rolf Inge: Knowledge in Music Theory by Shapes of Musical Objects and Sound-Producing Actions, 1997. I M. Leman (red.): Music, Gestalt, and Computing. Studies in Systematic and Cognitive Musicology. Springer-Verlag. s. 89-102.
Godøy, Rolf Inge: Imagined Action, Excitation, and Resonance, 2001. I R. I. Godøy & H. Jørgensen (red.): Musical Imagery. Swets & Zeitlinger. s. 237-250.
Janata, Petr: Neuropsychological Mechanisms Underlying Auditory Image Formation in Music, 2001. I R. I. Godøy & H. Jørgensen (red.): Musical Imagery. Swets & Zeitlinger. s. 27-42.
Juslin, Patrik N. & Sloboda, John A.: Music and Emotion. Theory and Research, 2001. Oxford University Press. kap. 1 & 3-5.
Kendall, Roger A. & Carterette, Edward C.: Music Perception and Cognition, 1996. I M. P. Friedman & E. C. Carterette (red.): Cognitive Ecology. Academic Press, Inc. s. 87-149.
Larson, Steve: Musical Forces and Melodic Patterns, 2000. Theory and Practice. vol. 22-23, 1997-98, s. 55-71.
Maasø, A: Arnte´s lydside. McGurk effect, Se web-side for demonstrasjon av McGurk effect. http://www.media.uio.no/personer/arntm/McGurk_norsk.html.
McAdams, Stephen & Bigand, Emmanuel: Thinking in Sound. The Cognitive Psychology of Human Audition, 1993. Clarendon Press/Oxford. kap. 1-2 & 8.
Mikumo, M: Finger tapping strategies for pitch encoding of melodies, 1994. In: Japanese pscyhological research. Vol 36, No 2, s 53 - 64.
Schaeffer, Pierre: Solfège de l’objet sonore (Theory of the Sound Object), 1998. INA/GRM, Harmonia Mundi.
Stein & Meredith: The merging of the senses, 1993. Kap 1, s 1 - 19.