Pensum/læringskrav

Bracket, David: Interpreting popular music, 2000. University of California Press. ISBN: 0-520-22541-4. Side ix-33.

Frith, Simon: Performing rites: On the value of popular music, 1996. Oxford University Press. ISBN: 0-19-816332-0.

Frith, Simon: Music and identity, 1996. Sage. ISBN: 978-0-8039-7883-6. I Hall, Stuart & du Gay, Paul (eds.): Questions of cultural identity.

Hawkins, Stan: Settling the pop score: pop texts and identity politics, 2002. Ashgate. ISBN: 0-7546-0351-2. Introduksjonen [s 1-35].

Krims, Adam: Music and urban geography, 2007. Routledge. ISBN: 0-415-97011-3. Side xiii-25.

Moore, Allan F. (ed.): Analyzing popular music, 2003. Cambridge University Press. ISBN: 0-521-77120. Introduksjonen [s 1-15].

Negus, Keith: Popular music in theory: an introduction, 1996. Polity Press. ISBN: 0-7456-1317-9.

Toynbee, Jason: Making popular music: musicians, creativity and institutions, 2000. Arnold. ISBN: 0-340-65224-1, 0-340-65223-3.

Walser, Robert: Popular music analysis: ten apothegms and four instances, 2003. Cambridge University Press. ISBN: 0-521-77120. I Moore, Allan F. (ed.): Analyzing popular music.

Webb, Peter: Interrogating the production of sound and place: the Bristol phenomenon, from Lunatic Fringe to worldwide Massive, 2004. Ashgate. ISBN: 0-7546-3737-9. I Whiteley, Sheila; Bennet, Andy & Hawkins, Stan (eds.): Music, space and place: popular music and cultural identity.

Published Oct. 4, 2011 3:17 PM - Last modified Jan. 12, 2012 10:12 AM