Tema: Kjønnsidentitet og teatrikalitet
Bøker:
Auslander, P. 2006. Performing Glam Rock. (University of Michigan)
Fast, S. 2001. In the Houses of the Holy. (Oxford)
Frith, S. 1996. Performing Rites. (Oxford)
Hawkins, S. 2002. Settling the Pop Score. (Ashgate)
Krims, A. 2000. Rap Music and the Poetics of Identity (Cambridge)
Whiteley, S., Bennett, A., Hawkins, S. 2004. Music, Space and Place. (Ashgate)
Whiteley, S. & Rycenga, J. 2006. Queering the Popular Pitch. (Routledge)
Artikler:
Bradby, B. 2002. ‘Oh, Boy! (Oh, Boy!): mutual desirability and musical structure in the buddy group’ i Popular Music, 21/1, s. 63-91.
Clarke, E.F. & Dibben, N. 2000. ‘Sex, Pulp and critique’ i Popular Music, 19/2. s. 231-241.
Haugen, J. D. 2003. ‘”Unladylike Divas”: Language, Gender, and Female Gangsta Rappers’ i Popular Music and Society, 26/4, s. 429-444.
Hawkins, S. 2005. ‘Overskridende Maskulinitet i Popmusikken: Skeiv Teori og det Mannlige Pågangsmot’ i ARR, Idéhistorisk tidskrift, nr.3, s. 55-68
Miller, E. D. 2003. ‘Listening to Sigur Rós’ i Popular Musicology Online, Issue 2..