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Program for the conclusion seminar (17/11):

• Stan/Mats: summary on main issues, MUS4605
• Students (those registered): short (max 3-5 min) presentation of essay
• All: questions, responses and plenum discussion
• Time: 09.30-11.00

17.11.2011 Konklusjon seminar (ledet av Stan Hawkins og Mats Johannson) - Sem 1, 9.30-11.00

18.00-20.00 (faglig-sosial treff med Stan Hawkins og forskningsteam)

Seminar groups to meet seminar tutors 13 October, preferably from 9.15-11.00. Specific details announced at lecture 29 September. If you were not there, take contact with emneansvarlig, Stan Hawkins.

Seminargrupper med ansatte er nå satt opp. Første møte er kl.11.-11.30, torsdag, 22. september med Sandve, Ålvik og Hawkins,

Readings for the lecture 22.9: Hawkins, Stan: The British Pop Dandy: Masculinity, Popular Music and Culture , 2009. Ashgate. Chapter 4: With a Twist of the Straight: Dandyism and Gender Revolt (pp. 93-120).

McClary, Susan: Feminine Endings: Music, Gender and Sexuality (with a new introduction), 2002. University of Minnesota Press. The introduction (pp. 3-34).

Moisala, Pirkko: Musical Gender in Performance, 2000. Women & Music: A Journal of Gender and Culture 3, pp. 1-17.

Complementary readings 15 September:

Stokes, Martin (ed.): 'Introduction' in Ethnicity, Identity and Music, The Musical Construction of Place (Berg Publishers, 1994)

Hylland-Eriksen, Thomas: Ethnicity and Nationalism (Pluto Press, 21994/2010)

Gilroy, Paul: After Empire. Melancholia or Convival Culture? (Routledge, 2004/2010)

Complementary readings 1 September: Fuchs, Cynthia J. “Michael Jackson’s penis.” Cruising the Performative: Interventions into the Representation of Ethnicity, Nationality, and Sexuality. Ed. Sue-Ellen Case, Philip Brett and Susan Leigh Foster. Bloomington: Indiana University Press, 1995. 13-33.

Goodwin, Andrew. Dancing in the Distraction Factory: Music Televison and Popular Culture. Minneapolis: University of Minnesota Press, 1992.

Hawkins, Stan. “Perspectives in popular musicology: music, Lennox and meaning in 1990s pop.” Popular Music 15, 1 (1996).

Mercer, Kobena. “Monster metaphors: notes on Michael Jackson’s Thriller.” Welcome To The Jungle: New Positions in Black Cultural Studies. Ed. Kobena Mercer. New York: Routledge, 1994. 33-51.

First lecture on 1 September, 9.15am. You are most welcome!