Syllabus

Articles will be available in printed compendia handed out first day of classes.

• Affentranger, Christoph. “Introduction”, and Ch. 1: “A Window to the Forest” in: Neue Holzarchitektur in Skandinavien (New Wood Architecture in Scandinavia). Basel: Bikhäuser Verlag, 1997. 9, 11, 13, 15, 17, 19, 21, 23.
• Andersson, Henrik O. "Modern Classicism in Norden, 1910-1930," in: Nordisk Klassicism 1910-1930 exh. cat., Helsingfors, 1982. 11-28.
• Berman, Patricia G. “Norwegian Craft Theory and National Revival in the 1890s,” in: Ed. Nicola Gordon Bowe. Art and the National Dream. Dublin: Irish Academic Press, 1993. 155-168.
• Berre, Nina “National Tourist Routes as architectural Policy” in Ed. Berre, Nina, and Hege Lysholm. Omveg: Arkitektur Og Design Langs 18 Nasjonale Turistvegar. Oslo: Norsk form, 2008. 28-31.
• Bugge, Gunnar “Stave churches In Norway”, Stave Churches in Norway Dreyers Forlag, 1983, 7-18.
• Colquhoun, A. “The Concept of Regionalism” in: Eds. Nalbantoglu G.B. and C.T.Wong Postcolonial Spaces. New York: Princeton Architectural Press, 1997.13-23.
• Fallan, Kjetil. “Introduction”, in Ed, Fallan, Kjetil. Scandinavian Design: Alternative Histories. London: Berg Publishers, 2012. ss. 1-12.
• Gelfer-Jørgensens, Mirjam. “Scandinavianism – a Cultural Brand” in Ed. Halén, Widar and Kerstin Wickman. Scandinavian Design Beyond the Myth. Fifty years of design form the Nordic countries. Stockholm: Arvinius Förlag \ Form Förlag, 2003. 17- 26.
• Glambek, Ingeborg. "One of the Age's Noblest Cultural Movements: On the Theoretical Basis for the Arts and Crafts Movement," Scandinavian Journal of Design History. 1, 1991. 47-76.
• Glambek, Ingeborg. “Museums of Decorative Art in the Service of Industry and Public Enlightenment”, Scandinavian Journal of Design History. 4, 1994. 108-113
• Grønvold, Ulf. “Norwegian Contemporary Architecture: Fehn and His Legacies” a+u Architecture and Urbanism. 411, 12. 2004. 7-10.
• Hegard, Tonte. “Collecting, Researching, and Presenting Folk Art in Norway, in Ed. Nelson, Marion Norwegian Folk Art. The Migration of a Tradition. Abbevile, 1995. 238-247.
• Hellelan, Allis and Fjeld, Per Olaf. “Preface, and Ch. 3: Sverre Fehn and the Architectural Refinement of a Spatial Instinct” , Architect Sverre Fehn, Intuition-Reflection-Construction, The National Museum of Art, Architecture and Design 2008, 9 19-35.
• Holan, Jerri. “Introduction, and Ch. 1: Site”, Norwegian Wood, A Tradition of Building 1990. 15-31.
• Johnsen, Espen. “Form follows emotion” in Ed. Halén, Widar and Kerstin Wickman. Scandinavian Design Beyond the Myth. Fifty years of design form the Nordic countries. Stockholm: Arvinius Förlag \ Form Förlag, 2003. 17- 26.
• Kampevold Larsen, Janika. “The Forms of The National Tourist Routes” in (Ed) Berre, Nina, and Hege Lysholm. Omveg: Arkitektur Og Design Langs 18 Nasjonale Turistvegar. Oslo: Norsk form, 2008. 22- 26.
• Kavli, Guthorm “Ch. 5: Stone Architecture, and Ch.6: Renaissance and Early Baroque”, Norwegian Architecture, Past and Present, Dreyer Forlag, 1958, 34 – 54.
• Kent, Neil. “Introduction”, The Soul of the North: A Social, Architectural and Cultural History of the Nordic Countries, 1700-1940. London: Reaktion Books. 2000. 8 – 15.
• Martens, Johan-Ditlef. “Ch. 3: Public Housing in Norway and  Ch.4: Forms of Housing from 1945 to the Present” , Norwegian Housing, Norsk Arkitekturforlag, 1993, 24-43.
• Nielsen, Henning and Falk, Jaeger “Introduction, and Ch. 2: Oslo Turns to the Water” in Nielsen, Henning and Meyer, Ulf Architectural Guide Oslo, Dom Publishers 2019, 6-21.
• Norberg-Schulz, Christian. Chapter 6 "The National," in: Nightlands: Nordic Building. Cambridge: Cambridge University Press, 1996. 123-146.
• Pallasmaa, Juhani and Miller, William C “Introduction, and Preface” , Nordic Modernism, Scandinavian Architecture 1890-2015, The Crowood Press, 2016, 6-11.
• Salomonsen, Kirsten Ruud. “Norway before the Bauhaus. The Teaching of Norwegian Design 1919 – 1952”, in: Scandinavian Journal of Design History 12, 2005 90-99.
• Shand, P. Morton. "Stockholm 1930," Architectural Review 68, July/December 1930. 67-72.
• Sheffield Jr., Clarence Burton. Ch. 3, “Social Needs and Aesthetic demands. Ellen Key, Gregor Paulsson, and Swedish Design, 1899-1939”, in ed., Stritzler-Levine, Nina & Ostergard, Derek E. The Brilliance of Swedish Glass, 1918-1939. An Alliance of Art and Industry. 1996. 35 – 51.
• Skotte, Hans. “The State of Identity in Contemporary Architecture” in (Ed) Almaas, Ingerid Helsing. Made in Norway: Norwegian Architecture Today. Basel: Arkitektur N, 2010. 10-13.
• Stavenow-Hidemark, Elisabet. “Viking Revival and Art Nouveau. Traditions of Excellence”, I (Red) McFadden, David Revere, Scandinavian Modern Design, 1880-1980. Abrams, 1982. 47-86.
• Tostrup Elisabeth. “Norwegian Introduction: Effective Words on Behalf of the Architect(ure). In (Ed). Asgaard Andersen, Michael, and Steven Holl. Nordic Architects Write: A Documentary Anthology. Oxon: Routledge, 2008. 203-213.
• The City of Oslo, “City Introduction and Context”, Application Form for the European Green Capital Award 2019, The City of Oslo, 2017. 1-5
• Vigsø, Orla. “Dreams of town and country” in ed. Linde-Laursen, Anders & Jan Olof Nilsson. Nordic Landscopes. Cultural studies of place. Nordic Council of Ministers: Copenhagen, 1995. 117 – 125.
• Woodville, Paul “Reconciling Urban Design, Heritage and Security” Urban Design Group Journal 146, 2018, 32-34.