Articles and book chapters in printed compendia handed out on first day of classes
Bakøy, Eva. “From Lonely Guest Workers to Conflict-ridden Diasporas: a Historical Survey of
Norwegian Migrant Cinema.” In Media in Motion: Cultural Complexity and Migration in the
Nordic Region, edited by Elisabeth Eide and Kaarina Nikune, 145-62. Farnham: Ashgay
Publishing Limit, 2011.
Bordwell, David and Kristin Thompson. “Chapter 9: Film Genres.” In Film Art: An Introduction.
New York: McGrawn Hill, 2010, ninth edition.
Bordwell, David. “The Art Cinema as a Mode of Film Practice.” In Poetics of Cinema, 151-70.
Routledge: Taylor & Francis Group, 2008.
Cherry, Brigid. “The Horror Genre: Form and Function.” In Horror, 1-52. London and
NewYork: Routledge Film Guidebooks, 2009.
Dancus, Adriana Margareta. “Ghosts Haunting the Norwegian House: Racialization in Norway
and The Kautokeino Rebellion.” Framework 55, 1 (Spring 2014): 121-39.
Gaut, Berys. “Naked Film: Dogma and its Limits”. In Purity and Provocation. Dogma 95, edited
by Mette Hjort and Steve MacKenzie, 89 – 101. London: British Film Institute, 2003.
Hight, Craig. “Mockumentary: A Call to Play.” In Rethinking Documentary. New Perspectives,
New Practices, edited by Thomas Austin and Wilma de Jong, 204-216. McGraw-Hill: Open
University Press, 2008.
Naficy, Hamid. “Situating Accented Cinema.” In An Accented Cinema. Exilic and Diasporic
Filmmaking, 3-39.Princeton, New Jersey: Princeton University Press, 2001.
Nestingen, Andrew. “Medium Concept. Scandinavian Genre and Art Film Hybrids.” In Crime
and Fantasy in Scandinavia. Fiction, Film and Social Change, 48-98. Seattle: University of
Washington, 2008.
Nichols, Bill. “Race and Ethnicity in Film.” In Engaging Cinema. An Introduction to Film
Studies, 325-58. New York: W.W. Norton & Company Ltd., 2010
Schepelern, Peter. “Film according to Dogma: Ground Rules, Obstacles, and Liberations.”
InTransnational Cinema in a Global North: Nordic Cinema in Transition, edited by Andrew
Nestingen and Trevor Elkington, 73-107. Detroit: Wayne State University Press, 2005.
Carroll, Noël. “Film Emotion, and Genre.” In Passionate Views, Film, Cognition and Emotion,
edited by Carl Plantinga and Greg M. Smith, 21-48. Baltimore, Md.: Johns Hopkins University
Press, 1999.
Hjort, Mette. “A Different Kind of Feel Good Movie.” In Lone Scherfig’s Italian for Beginners,
173-216. Seattle: University of Washington Press, 2010.
Sipos, Thomas M. “Mise-en-scène.” In Horror Film Aesthetics. Creating the Visual Language of
Fear, 31-70. North Carolina: McFarland & Company, Inc., 2010.
Shriver-Rice, Meryl. “Adapting National Identity: Ethical Borders Made Suspect in the
Hollywood Version of Susanne Bier's Brothers.” Film International 9, no. 2 (2011): 8-19.
Stenport, Anna W. “Local and Global. Lukas Moodysson and Memphis.” In Swedish Film: An
Introduction and Reader, edited by Mariah Larsson and Anders Marklund, 325-33. Lund: Nordic
Academic Press, 2010.
Stevenson, Jack. “The Dogme Manifesto” and the “Vow of Chastity.” In Dogme Uncut. Lars von
Trier, Thomas Vinterberg and the Gang That Took on Hollywood, 21-23. Santa Monica: Santa
Monica Press LLC, 2003
Stevenson, Jack. “John Cassavetes, Jean-Luc Godard, and the Gang That Influenced Dogme.” In
Dogme Uncut. Lars von Trier, Thomas Vinterberg and the Gang That Took on Hollywood, 25-49
Santa Monica: Santa Monica Press LLC, 2003
Stigsdotter, Ingrid. “”When to push stop or play’: The Swedish reception of Ruben Östlund’s
Play (2011).” Journal of Scandinavian Studies 3, 1 (2013): 41-8.
Ward, Paul. “Drama-documentary, Ethics and Notions of Performance: The ‘Flight 93’ Films.”
In Rethinking Documentary. New Perspectives, New Practices, edited by Thomas Austin and
Wilma de Jong, 191-203. McGraw-Hill: Open University Press, 2008.
Tudor, Andrew. “Narratives.” In Monsters and Mad Scientists. A Cultural History of the Horror
Movie: 81-105. Oxford: Basil Blackwell, 1989.
Winestock, Jeffrey. “Introduction: Vampire Cinema.” In The Vampire Film: Undead Cinema, 1-
19. New York: Columbia University Press, 2012.
Wright, Rochelle. “Vampire in the Stockholm Suburbs: Let the Right One In and Genre
Hybridity.” Journal of Scandinavian Cinema 1, no. 1 (2011): 55-70